A short paper that briefly reviews some of the existing literature that has been referenced or has provided useful context and comparison for the Paying Artists study.
A short paper that briefly reviews some of the existing literature – research, resources and approaches to artists’ terms and conditions in exhibition practice – which have been referenced or provided useful context and comparison for the Paying Artists Study.
How do artists fare when they show work in publicly-funded galleries in the UK? New research commissioned by a-n and AIR looking specifically at artists’ experiences reveals the gulf between the expectations of artists and galleries.
Second phase of a-n/AIR-commissioned research, exploring artists’ and venues’ experiences of exhibiting in publicly-funded venues. Phase 2 findings build on data from Phase 1 and are based on interviews conducted with artists and venues.
Second phase of research study commissioned by a-n and AIR looking at artists experiences of exhibiting in publicly-funded venues. Overview of main findings from interviews with artists and publicly-funded venues that deepens understanding of data Phase 1 findings and explores perceptions and issues from both sides of the experience.
a-n/AIR-commissioned research exploring artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
Research study commissioned by a-n and AIR looking at artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
In the run up to the launch of the Paying Artists Campaign, a-n has published two new research reports covering international models for artists’ fees and the history of Exhibition Payment Right in the UK.
A new batch of research has just been published as part of a-n and AIR’s ongoing Paying Artists campaign.
We’re offering bursaries of £500 to £1,500 to Black, Asian, Brown and/or Global Majority artists at every stage of their career. Apply now for the opportunity to develop new skills and networks to take your work to the next level. […]
We’re offering bursaries of £500 to £1,500 to artists at every stage of their career. Apply now for the opportunity to develop new skills and networks to take your work to the next level. Who can apply: Current a-n Artist […]
Highlighting a culture of low fees and unpaid labour
a-n is offering bursaries of between £500 to £1,500 for continued professional practice and creative development.
Artists Stacie McCormick, Jerome Ince-Mitchell, Clémentine Bedos, Jenny McNamara are the new Chair and Vice Chair of a-n Board and Artists Council.
As part of our commitment to supporting artists, we are offering bursaries of between £500 to £1,500 for continued professional practice.
Read the third set of conversations in our 40 Years 40 Artists series of interviews with artists who feature in a-n’s archive.
Jane and Louise Wilson discuss the start of their artistic collaboration in the 1990s, and how a-n is “an essential resource.”
a-n is seeking a new member of Artists Council, an advisory group to the Board and Executive that plays a key role in advocacy, lobbying and developing a-n programmes. APPLICATION DEADLINE HAS NOW PASSED.
a-n Artists Council members Jasleen Kaur and Hetain Patel amongst 40 recipients of funds from the Artist Award Scheme, which has been launched in response to the pressures brought about by the current Covid-19 pandemic.
In recent years many artists have moved from major conurbations to smaller towns or cities in the UK, with access to cheaper work space and accommodation, improved health and wellbeing, and the need for stronger community networks among the factors influencing their decision to relocate. In this guide, Dan Thompson explores the many and varied reasons why artists move to a new place.
For this follow up to her Approaching galleries guide, Jennie Syson asked artists, arts managers, curators and gallery directors to share their top tips, and dos and don’ts advice.
Writing a manifesto was one of Dan Thompson’s first acts as an artist and he has since written several more including one about using empty shops, and The Paying Artists Manifesto for Artist-Led Work that showed how artists working with their own ecology, economy and excitement ‘make the world around them better’. He explores the history of artists’ manifestos and shares advice and tips on how to write your own.
a-n The Artists Information Company makes 15 significant new appointments to its Artists Council.
Jerwoods Arts asked 71% of successful applicants to resubmit their application form with a higher artist fee allocation.
a-n is seeking new members of Artists Council, an advisory group to the Board and Executive that plays a key role in advocacy, lobbying and developing a-n programmes.
