Page 217 – a-n The Artists Information Company
James Richards, Migratory Motor Complex, six-channel audio installation, 2017. Commissioned by Wales in Venice for the 57th Venice Biennale. Copyright James Richards; Courtesy: Wales in Venice. Photo: Mark Blower
Sriwhana Spong, having-seen-snake (test reel), 2016. Courtesy: the artist
Corin Sworn,
Polarity Boxing,
2017. Courtesy of the artist. Photo: Margaret Salmon.
Rosalind Nashashibi,
Part One: Where there is a joyous mood, there a comrade will appear to share a
glass of wine
(film still), 2018. Courtesy: the artist
Alfredo Jaar,
Teach Us to Outgrow Our Madness,
2014. Courtesy: the artist
'Putting Ourselves In The Picture', Fabrica, Brighton, installation view
Cultural Production Centre Godsbanen, Aarhus, Denmark. Courtesy: Castlefield Gallery
a-n Writer Development Programme 2019/20
Liz Magic Laser, In Real Life, 2019. Installation view at FACT. Copyright: Rob Battersby.
Mike Nelson, The Asset Strippers install view Tate Britain 2019. Photo: © Tate (Matt Greenwood)
Candice Breitz, Sweat, 2018. Featured here: Nosipho ‘Provocative’ Vidima. Courtesy of Goodman Gallery (Johannesburg), Kaufmann Repetto (Milan) & KOW (Berlin)
Manon de Boer, Caco, João, Mava and Rebecca, 2019
Wong Ping, self portrait. Courtesy: the artist
Wong Ping, stills from Who’s the Daddy, 2017, single channel video animation, 9 min. Image courtesy: Edouard Malingue Gallery and the artist
Wong Ping, stills from Who’s the Daddy, 2017, single channel
video animation, 9 min. Image courtesy: Edouard Malingue
Gallery and the artist
19 Installation photo of Brick Boner, 2019, from Wong Ping: Heart Digger, Camden
Arts Centre, 2019 © Wong Ping, photographer Luke Walker
Wong Ping, installation photo of Who’s the daddy, 2017, from Wong Ping: Heart Digger, Camden
Arts Centre, 2019 © Wong Ping. Photo: Luke Walker
Wong Ping, installation photo of Who’s the daddy, 2017, from Wong Ping: Heart Digger, Camden
Arts Centre, 2019 © Wong Ping. Photo: Luke Walker