This article in the New Statesman sums up sota12 pretty well: http://www.newstatesman.com/blogs/cultural-capital…
The networking was good; the debates less so. What weren’t they saying about the cuts to come?
Having picked out my highlights as Kirsty Ware and David Edgar, the low point was the Arlene Philips interview. I couldn’t work out if she knew what art was: at times it was entertainment and at others it wasn’t; and she never answered the question which was “Does TV do great art?” or was that bad art?
