Currently up north, just sorting out applications for residencies/internships etc. I was unfortunately on the recieving end of a clamp two days ago, and so created a new piece of work to make me feel better. Its a tongue in cheek piece that looks at the relationship between clamping companies, the vehicles they clamp, and the motorist. Mainly my experience of all three, all at once.
For Sale at £100 to recoup the expenses of aquiring the materials.
Bob Gelsthorpe uses a broad approach to studio practice, incorporating feelings, images, objects, actions and texts, as well as facilitating the isolation of feelings, images, objects, actions and texts. Recent outputs include: As it waits, until it lasts, Glynn Vivian Art Gallery, Swansea; SWAP Editions: Ad Hoc, Castor Projects, London; Crit-a-Öke: Abridged, Tate Exchange, Liverpool. Curated by Tžužjj (all 2017); This Brutality, Airspace Gallery, Stoke-on-Trent; everything, forever, for you, Line Gallery, Stroud (both 2016). Recent inputs include: Zabludowuicz Collection Master Class - Testing Ground (2018), a-n Writer Development Programme & Wales in Venice Cymru yn Fenis Invigilator Plus (both 2017).
