These colours won't come right. It doesn't help of course that the studio lights are so dim that I have to blast the two halogen lights onto the painting just to see at night. Now I am resorting to glazing. Who would have thought I would have to take recourse to this Old Master-ish oil painting technique, but I'm desperate.
Berlin Residency Journal
Projects unedited blog by C. Morey de Morand
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