Today I degreased and added a hardground to the etching plate.
Whilst that was drying on the sunny window ledge I added the second colour (black) onto my lino cut. The edition of twenty was easy and quick, and the registration worked well. The results were graphic and striking. There is a simplicity about a three colour lino cut that really appeals.
I then returned to my etching and used the etching needle to cross hatch into the shell forms and etched the plate for twelve minutes. The resulting proof showed dynamic, rich, velvety lines. I now have two working methods/vocabulary for development in future.
Also briefly experimented with a small postcard sized piece of Balsa wood which I had on me. Ran off some black proofs and intend to overprint once I've dug out the image with my electronic tool. Last time I used a biro to make an indentation but could only go with the grain! Handy though if you're travellimg and need something super light to use as a "plate".
