Folk Art
I've been thinking about this a bit as I came across this link http://www.tramp-art.com/folk_marquetry.htm . I'm not really sure whether there is a difference between Outsider art, folk art, tramp art or other definitions. I do think marquetry and this project have a relationship to it on several levels. Any amatuer craft could be deemed 'folk Art' I suppose although I wouldn't necessarily want to attach this label here. I do think a lack of artistic training can be used legitimately to differentiate artists but again that isn't that important really? How one approaches the craft and why is.
If a surge in craft movements was borne out of increasing Urbanisation and industrialisation this reaction is interesting. Artistic rules, academic traditions and aesthetics, would be progressing at an equally rapid rate, a rejection of which would automatically leave makers 'outside' of the progressive arts. A return to nature on the face of it denys the urban and the mechanisation of the industrial age.
There are inconsistencies though. Marquetry really draws on a global resource with materials originating from all over the world. Global development can be see to expand upon the craft with the introduction of all kinds of exotic materials for the artist to work with. In a way more than other art forms marquetry makes global connections in a way others don't. An accessible craft which potentially allows anyone the privilege of working with an enormous range of natural yet unfamiliar materials. I think this is worth thinking about.
Another thing that the lack of a formal training allows is more creative freedom. In understanding how those involved with marquetry work it is a lot of the time about the discovery of new techniques and methods. These can be shared and developed by others and I think it is this is what makes something like marquetry so interesting for those involved. There is a gentleman in the Staffordshire group who converted a sewing machine to cut veneer- a sort of concocted fret saw- this demonstrates wonderful creativity and invention which is what for me essentially defines so called 'folk Art'