Part Two
Process art
U.S. and Europe, mid-1960s
Process art emphasizes the “process” of making art (rather than any predetermined composition or plan) and the concepts of change and transience….
Their interest in process and the properties of materials as determining factors has precedents in the Abstract Expressionists’ use of unconventional methods such as dripping and staining. In a ground-breaking essay and exhibition in 1968, Morris posited the notion of “anti-form” as a basis for making art works in terms of process and time rather than as static and enduring icons, which he associated with “object-type” art. Morris stressed this new art’s de-emphasis of order through nonrigid materials, pioneered by Claes Oldenburg, and the manipulation of those materials through the processes of gravity, stacking, piling, and hanging.
Source:http://www.guggenheimcollection.org/site/glossary_Process_art.html
Where formal discussions of process art are concerned with "properties of materials" and expanding the understanding of "unconventional methods".
The adaption of Process Art to a context that is possible of engaging larger communities rather than ascribed as a luxury of the few is the objective here.
Taken several steps further <a href="http://comfusion.pbwiki.com/SoulFood">SoulFood</a> as framework for the Source Artist Process-internal. <a href="http://comfusion.pbwiki.com/Attention">Attention</a> has been paid to the survey of the <a href="http://comfusion.pbwiki.com/SoulFood:Ingredient">ingredients</a> .
This is most definitely research into the metaphysics of art applied to real life challenges.
1. Personal growth through art as process
2. Transparent model for the above as part of sustainability and community renewal
3. Research and Development into implementations of open economies as part of the above
4. Helps define intangible assets and economies that can leverage opportunities previously mentioned
5. Concept for works of art that are interconnected expressions of the above
