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The trip gave me the time to concentrate on making work for the fun of it given that I only took the minimum of art supplies with me, paper, pencils and a few watercolours.  I used the artwork around the school and its surroundings for inspiration.

I particularly liked the carved figure heads made from all sorts of materials, stone, plaster, wood and chose four of them to base work on. I used thin brown paper and a graphite stick to take rubbings of their faces.  I then laid opaque acetate over this and drew over the facial features that I wanted to accentuate.  I taped the acetate back onto the original heads as a way to explore how my interpretations of the features might alter the appearance. I took photographs of each step.

Photographs taken by Kathryn Raffell, March 2015,  documenting the stages in a piece of work using a plaster figure cited outside the Art School.

Photographs of the second carved figure I explored in a graphite rubbing.

Yet another one of the figures in the art school garden that I used to make work from. This one was particularly interesting as the colour of the plaster used ahowed through the acetate to give the face a skin tone.

This carved wooden head was the least effective through the rubbing. Perhaps the graphite pencil was too harsh a medium to use.

 

 


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