The other day I’ve experimented with the cut outs by rearranging them in another order. Today I’ve experimented by dropping the shapes from a height to capture the role of chance.

I’ve uncovered a difference in dropping them separately and dropping them all at once. The shapes are more spread out when I drop them separately, and they’re more closer together when I drop them all at once.

The experimentations resonate with De stijl because of it bears the characteristics of geometry combined with asymmetry. When the cut outs were ordered, the work barely resembled an interior plan. When there was added chance, the work looked more abstract compared to its paper cut out predecessors.