For our inaugural BRIDGE exhibition in November 2023, 10 artists from ÖSKG and 10 from ArtCan were selected and paired together by curators Pernilla Iggstrom (ArtCan) and Christel Lundberg (ÖSKG). BRIDGE is an on-going project, encouraging cross-cultural artistic collaboration, where the purpose is to connect across physical and metaphorical borders and break down cultural, social and political barriers in order to increase diversity, understanding and inclusion. The process, rather than the end product, is the focal point of this on-going collaboration, and the results and friendships formed, speak for themselves.
This blog details the work of each of the ten pairings for the Tjörnedala Konsthall exhibition in Sweden in November 2023.
Marcus Bagge (SE) and Mirella Bandini (UK) entered into a dialogue of sorts – a journey of discovery; of pushing one another beyond the limits of their comfort zones; of challengingone another. It was an intuitive ‘conversation’ and the experimental and playful nature of this collaborative endeavour allowed both artists a measure of freedom in which to explore and grow.
Anna Rochegova (SE) and Daniel H Bell (UK) are both painters who take inspiration from nature. Together their work encompassed an assortment of characters, environments, flora and fauna. They had a common interest in the small details of the natural world, the harmony that exists there, and the non-human encounters that are often overlooked.
Molly Lambourn (UK) and Maria Björklund (SE) bonded over the fascinating life of Josephine Bonaparte. Their drawings explored the different sides to Josephine, from immigrant to empress and beloved figure – she was an intellectual force who they found endlessly intriguing. Josephine was famous for keeping lifelong friendships and in exploring her, the pair forged theirs.
Ben Thompson (SE) and Diane Frost (UK) used language as their primary material and tested the transformative power of words through myths, stories and poetry. Their installation dealt with the confusion around human/non-human tongues, the fragile pathways that we create through art and the illusory transparency of translation.
Susanna Gunnarson (SE) and Jane Higginbottom (UK) had a strong shared interest and fascination with plants. It became their source of inspiration. Working together, they played with colour – experimenting with Eco printing and dyeing yarn from a local alpaca farm, both using plants found in the garden. Their work was intuitive and full of surprises…
Bridging waterways from Sweden and the UK through the Baltic and North Seas, artists Catherine Jacobs (UK) and Jonas Rooth (SE) brought together their abstract responses to these natural worlds as expressed in glass, photography, mono-printing and video, producing a varied and poetic response to these landscapes.
The collaboration between Svetlana Atlavina (UK) and Adrian Room (SE) represented a harmonious fusion of the intellectual, the emotional, and the universal – it was an ode to the enduring essence of human connection and the shared rhythm of life itself. They delved into a search for inner meaning, purpose and curiosity with questions about our limited time on Earth.
Melanie Jordan (UK) and Anja Richardt Krabbe (SE) both live and work in very rural locations that are beautifully inspiring yet isolated. Their collaboration was intuitive, allowing their works to gently interweave as their creative friendship grew through the regular sharing of thoughts and ideas. Anja’s vibrant abstract pieces and Melanie’s more subtle textiles, although different, managed to communicate their unique bond.
Peter Mammes (UK) and Jonas Larsen (SE) created an anti-war installation – made to juxtapose the broken and ugly side of war with the fancy and extravagant media image that is portrayed to us. The artwork was reminiscent of the backdrop used at glitzy award ceremonies like the Oscars, and the piece encouraged its audience to participate and take photos with it.
Teresa Rooth (SE) and Phillip McConnell (UK) have very different art practices, but both focus on the small details. Teresa worked by hand, painstakingly painting each detail, while Phillip’s Glitch art was created by corrupting the raw data and code of pictures digitally.
