The Interview part 2: Project for Pietrasanta (cont. from previous post)
I then presented my proposed project: to represent an Enzyme
This is an idea for a work I’ve recently had. Enzymes are proteins that are the ‘do-ers’ in all living things, they make all reactions happen – from the breakdown of food, to muscle movements, to reproduction. They are so elegant, have simple forms which includes an active site. This is like a lock, that the ‘key’ (the substrate – i.e. the things that gets changed by the enzyme) slots into like a key fitting in a lock. They are also so varied in shape and size. I showed them an image of an enzyme.
The work has 2 elements which allow me to explore the 2 techniques:
• Molecular construction – i.e. the chemical that fits in the enzyme, to be represented as small figures, like the carbon dioxide except more extensive – to be modelled in wax – that will help me to learn constructed bronze
• Main shape – a large abstract-like form (except it is actually the exact shape of a real enzyme), to be modelled in plaster – that will allow experimentation in texture and patination
Getting the most out of the residency
I once overheard Alexa Holt (of Cove Park) say that a particular artist “knew how to approach a residency” so it had been very successful. I never got to ask her what she meant… How do you approach a residency?
My plan: clear structure, with space for reflection and creativity
Capturing knowledge: how to record? Notebooks + this blog
Getting most out of Pietrasanta – already speak Italian, revise before arriving.
Getting most out of extra time (away from family responsibilities and building career activities) – Ideas diary (daily personal diary, Mike Tyson-esque drawings/sketches of ideas for new work)
Conclusion
I know a lot of people (including my family and at the organisations involved) will be working hard to allow me this opportunity, so I’m prepared to work very hard to make the most of it.
I had presented to a panel of 6 people. They then asked me quite a few questions but were very nice and interested throughout, and they also told me a bit more about what I might expect in Pietrasanta.
I then packed up my maquettes and headed home on a bit of a high after the adrenaline of it. I felt I had done myself justice and it would all be up to who else was up for it. But then I started worrying that I would be up against more experience and talented sculptors, and it all seemed a bit unreal, even more so after I got the call the next day saying I’d got it.
I have since been working on the preparatory work for the project, and I’m off to Oxford next week to look at Enzymes! More of this in another post.
