With my most recent drawing I finally hit on a method that was really challenging; my previous attempts at almost narrative perspective drawing were failures. By keeping the drawings more concise I feel they really succeeded.
The idea was again to work with the bare bones of perspective, creating real depth without anything overcomplicated and illustrating some of the magic of the brain to eye relationship. They are made with a repetitive method of drawing a line to a central point, spaced out every couple of millimetres, and can be wuite arduous.
These are large scale drawings, meant to be fully immersive, and remarkably these are not cold, due to the softness of the pencils and the odd smudge that marks my presence as part of the work.
