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Am I being too safe?

Here I go again questioning my proposed balloon arch, am I being too safe with this? Am I trying to fit in too much with the rest of the group? Deep down I want to do something live but I also worry that I wont have a presence in the show for 3 months, again I question, does this really matter? The strength in my work is having a live presence and using myself as material in a temporary situation. I could simply do a live piece on the opening night and repeat it intermittently over the 3-month period say once a week. I guess how long and when will depend on the nature of the work. I really struggle making proposals 2/3 months in advance of actually realising the work as it always changes. I feel really strongly that I do not want to show video documentation and that I want to use the energy and situation of an opening night. These feelings of worry are part of my process when I make live work, fear of looking stupid and crossing the line of the ‘status quo’ fills me with anxiety but also drives my work. I sense that the group would rather I showed a video or an object as they are easier to curate which I feel is the wrong attitude.

This week I have been doing some research on the Internet looking for images, which represent ‘celebrations’ and ‘parties’ this is helping me build a picture of how I want my mini event to look. I feel that the balloon drop idea is what I want to go with and to start building the performance around this. I need to consider if I want my event to look like an informal party or more corporate looking? Could I somehow combine the two aesthetics? I really like the structure of a corporate stand, which has two or three elements such as a display board, poster stand and plinth. These objects would be easy to move around the space and place next to the balloon net. On the Internet I found information about Liverpool’s sister cities, whatever that really means? They are Cologne, Germany and Shanghai, China. From this research I am eager to have an ‘International’ flavour to my performance. On a-n website I have been reading the visual arts research paper titled ‘Biennial and citywide events’ and I particularly enjoyed Jan Verwoert piece ‘Forget the national: Perform the International in the key of the local (and vice versa)!’ (www.a-n.co.uk/p/471538/) When I think of ‘events’ I also consider this to be birthday parties, weddings, a dinner party, and meeting up with friends. However I am aware of how large-scale events are taking over our city spaces for example last year we had the ‘International Arts Festival’ in Manchester, the following month, ‘Spanish weekend’ and after this was the Jazz Festival.


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Liverpool JMU MA Fine Art Show

This week we had a meeting about our upcoming MA show which will be happening in September. The exhibition will be different to the usual degree show were the work is separated out into individual spaces, all the work will be curated in the gallery space. My assessment performance and video piece ‘Departures’ will not be appropriate for the exhibition so I need to produce a new piece of work. This has been stressing me out a bit even though I know that this is the cycle of being an artist I just feel a bit miffed that myself and one other artist on the course will need to make new work. It just feels a bit strange that we have been assessed and finished our MA although the final show wont be until September. The gallery was originally designed to be a shop so at the far end the walls are made of glass and is an unusually long space. My concern at the moment is that there is a lot of video and smaller object based work, which I feel that the high ceilings may swallow up. The show will be on for 3 months to coincide with the Liverpool Biennial, which is an amazing opportunity, however as the duration is so long makes it problematic to make live work for it. I have been thinking about doing a balloon drop and treat the opening night of the show as a mini event, which I would compare. I have been researching balloon drops and have found some images of different designs and formations of which I particularly like the balloon arch. I like the fact that balloons are used for celebrations and make an immediate visual impact. The balloon arch would be straightforward to design and install, although as time passes they will start to deflate which I am intrigued to see what they will look like after three months. I see the deflation of the balloons as marking the passing of time and symbolizing the end of the party.


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Gallery tour script ideas

*Speak in a computerized voice

Meet & greet visitors take them inside

We all face the window and wave to people

Please take your shoes off

Archway placed around glass door

Room is lit red with a toy dog in the corner

Brief introduction to space

Lead visitors to the Kitchen

Tell a story about an artist who has made food in the kitchen

Fan myself

Enter back into gallery space

Lead visitors to adjacent door in the wall

Enter into the dark space with a light

Close the door

Turn light off

Play sound of fireworks

Exit door back into gallery

Start moving objects around in the space in a ‘feng shui’ way

Lead visitors to the ladder

Take them up to the bedroom

Dissected rabbit placed on the table

Which we ignore

Tell a story about an artist who has slept in the bedroom

Lead visitors down the ladder back into the gallery space

We all break fortune cookies and read our fortunes out

Lead visitors to the exit

Wave goodbye

So far you have been my favourite group

*Balloon archways/print of Chinese archways placed around all doorways

Wardrobe ideas

Red hat with scarf attached to the side

Hair tied back

Red & black make-up

Chinese dress

Slippers/Heels?

Holding a fan


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