I have been busy with other things this week and was keen to get back into the studio yesterday and finish of some of the #Collage50 works in progress – but I started yet another one! Today I finished it off and made good progress with some others. So this is number 7 of 50 Collages Before Christmas. It is based round some photos I took on the wavecut platform on the foreshore at Roedean, East of Brighton Marina. I used to visit friends in Brighton years ago when I was still at art school – and before the Marina claimed my favourite section of the coast there! Quite a bit of two- and three-dimensional work I did in my final 2 years was inspired by that beach and it has continued to spawn work ever since. For 12 or more years I have been toying with the idea of a major project I have titled “Tidelines” where I examine 7 of my long-loved sections of coast to see what it is in those places that makes them so special for me and compare them to 7 beaches places that I had never visited before to see if any of those places can be made special, or just become special to me. Brighton and Roedean beaches form one of those 7 long-term important places.
Don’t play with your memories, dear is the largest collage I have ever created at over 1m wide. Some might argue that the installation of #Letter365 in the Allsop Gallery, Bridport, at 33m long should count as a collage but the envelopes were not permanently affixed so I say not. Strangely, when I put it up to photograph it didn’t seem twice the size of the first ones in the series. I think I want to sork even larger!
