I had a great day in my studio yesterday choosing the colours and shapes that I will use in the final sculpture. I use relief ink on sculptures such as theses because the colour is very intense with lots of pigment. It is a bit of an experiment using printing ink on a sculpture that will be outside, but I will just have to wait and see how the colour reacts over the 12 months it will be on display. Using ink also gives me the option of creating a print from the sculpture. I am interested in how my sculptures can also be tools for making other images. The idea that I can create a second two dimensional object of this work in the form of a print is very interesting to me as I often think about how creating objects that represent creatures or structures in nature can also be a form of collecting specimens. The specimens being characters from a world that I am creating in the work.
Applying colour to the wooden elements
Wood
As well as working on the metal structure I have also been drawing out and cutting the wooden forms that will be attached to the metal body. These wooden shapes will represent an organism and a rocky outcropping. I worked out the shapes by looking at the grain of the wood reacting to any interesting inconsistencies in the surface of the marine ply as well as trying to find a satisfying form.
Making the main steel body
I have spent two intensive days in the metal workshop this week, working on the main steel body of the sculpture. I have mainly been working on the joints that will allow the sculpture to be taken apart for transport, but be very strong for when the sculpture is up.
Prints
Printmaking is a very important part of my practice and I have been making books and collections of woodblock and relief prints in my studio while planning my work for the Broomhill National Sculpture Prize 2015. I am going to incorporate two giant wooden print blocks into my sculpture for Broomhill. I am interested the idea that one work can exist in two different spaces, the three dimensional space of a sculpture and the two dimensional space of a print.