Harminder Singh-Judge includes a sculpture piece in the ”home” exhibition entitled ‘Madonna & Child’. The sculpture consists of an ape cradling a baby ape with a white neon circle surrounding them. Controversial in its content and with the use of this particular title, Harminder Singh-Judge is clear to make a point and not be afraid at stating it with volume. Madonna and Child are normally seen as pictorial representations of Mary with the infant Jesus. Mary being seated and seen holding the baby Jesus is a typical representation produced during the 15th Century in Florence where Roman Catholicism is still strongly followed today. Where Roman Catholicism focuses on spreading the gospel of Jesus Christ, here the artist presents us with Darwinism and challenges the idea of religion and how it shapes society. Representations during the 15th Century of this nature where usually symbolised with the Passion of Christ emphasising the suffering both physical and mental that Christ endured. The fact that the artist chose this particular representation of Mary and the infant Jesus, may be linked to the connections of the Jesus suffering and highlights how we as people are in fact suffering and have no God to turn to as a saviour. It tackles ideas of existential nihilism and plays with notions of meaning and purpose. This could be a revelation from the artist that we are not dictated by religion, but we are in fact responsible for our own lives and should act in accordance. It is clear that the artist wishes to raise questions over aspects of people’s lives that give them comfort and challenge their views. This piece has been created through a process of the artist questioning his identity, heritage and personal experiences of different cultures and gives insight into the struggles which can occur from being linked to a strong religious background.
This exhibition successfully entices the viewer to sample pieces of the artist’s personal experiences of life, personal development and fitting into a particular society or culture whilst remaining sympathetic towards others. The selection of works in this exhibition allows the viewer to see different perspectives and understanding towards Asian culture without it being presented in a biased manner. For those looking to challenge their views, or gain a better understanding of Asian culture and identity, this exhibition is a must see and notable as being one of Airspace’s best exhibitions.
By Stacey Booth
