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I’m being pushed off a cliff edge.

See this blog.

Desperately trying to get help, but still getting the same passive aggressive “take care” from CAB volunteers who can’t actually help prevent financial abuse, and to which I reply that I can’t do that with no income.

The government are failing carers, and this could be safeguarded by the arts, but I’m not being safeguarded in my career.

I attended a Carer’s Breakfast last Thursday, in which Lincolnshire is pioneering ways for carers to stay in work.

The arts is no exception to this.

For arts organisations commissioning artists that are carers, arts council, for artists and other arts professionals, employers for carers is for you.

 


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PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 

PAY ARTISTS PROPERLY PAY CARERS PROPERLY PAY ARTISTS PROPERLY 


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Over the summer, I have had to deal with the bureaucracy of a PIP application for my son.

I took part in Mansions Of The Future Summer School in an attempt to try to work out how to restart my career as an artist without being forced or coerced into “volunteering”. I don’t think it was very successful, as I haven’t yet received any offers of paid work, or funding to start a new project, and I felt as though I was being coerced back into old work that I abandoned as being exploitative a long time ago.

Thankfully, I finally received a letter from the council last weekend with a reduced council tax bill.

After the stress of the PIP application, we’re awaiting the outcome.

I have completed a short five week Carer’s Mental Health training course, so I can now use this training within my capacity as an artist.

 

It seems that the conclusion (from the Arts Council) is that proposals from artists in Lincoln are not good enough, or diverse enough, and as I know, graduates are leaving the city to seek work elsewhere.

So this means that the Arts Council think that the quality of work produced by University of Lincoln students / graduates is not good enough, and I don’t believe that, I believe that graduates here are not being given the knowledge and resources to make good funding applications to produce the work we want to, to the quality we want to. We are forced to compromise our work, and set up to fail.


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As a carer, it’s hard to take time out of the constant form filling, bureaucracy, mind melting stress of the health and social care crisis, but one thing I have been fortunate to achieve is respite funding to visit family.

I normally don’t do any creative work when on a respite break, but it would’ve been silly to not go and see some work I’ve been aching to see for a while, and take the opportunity to explore the sculptural delights of Esbjerg!

So I visited Abba: Supertroupers and Adapt To Survive: Notes From The Future at the Hayward Gallery (not Lee Bul!), The Hive at Kew Gardens, and Mennesket bed Havet, in Esbjerg, Denmark.

All detailed in  my blog.

This previous blog post outlines issues affecting artists working as carers for those with mental health conditions for #mentalhealthawarenessweek

 


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Another good article by Sandi Toksvig.

I get criticised for writing a-n blog posts for free, so I know I’m being silenced and pushed out.

Another exploitative “opportunity” here.

I genuinely don’t know who I am now. I can’t produce any art, without funding, I feel like a fake doing a non-arts job to pay the bills, and in trying to find out how to give that up to focus more on my creative practice, bad advice given by volunteers at Citizen’s Advice Bureau was to “get another job”.

That was after yet another job application rejection and a couple of rejected funding proposals.

This caused my mental health to go into crisis mode. I have looked at The Samaritans. I don’t even think phoning them will be worth my time. All they do is listen. They can listen to the ringing of my phone with all the debt collection agencies harassing me for money the Arts Council refuse to award.

But nothing will be resolved.

I went for a respite break to visit family, which did give some relief.

But now I’m back to trying to work out how to get into arts therapy and avoid being coerced into more voluntary stuff while I still have some debts that need paying off.

Good news this week, as the Breathing Space campaign has been successful.

But it doesn’t go far enough to address and safeguard the fact that artists that are carers cannot realistically live off ever-decreasing welfare, Universal Credit delays, PIP application form filling, DWP ignorance and outright financial abuse, Grantium form filling, Grantium rejection after rejection, and maintain a working practice and manage a household as an artist with little or no income.


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