Last week I had a glorious time pushing oil paint about. I began four new oil studies, selecting pieces of china here and there which caught my fancy. Being in such an environment, filled with the most amazing, colourful, delicate range of goodies, it is difficult to know how to select out the pieces you want. The key is to begin at an instinctive point, and adjust if necessary. One theme which really rang out loud and clear, is my love of green. I was very much drawn to the green in the Earl of Coventry service, which, with sight failing, is raised green, for tactile purposes, even better! It has been a delight to study and paint the green and whiteness of this green and white china. I have been abstracting out the essence of the porcelain, editing out that which is not essential. The subsequent studies I have to say I am pleased with. I find them relaxing to look at.
I have also been working today on a series of stencils. The profile studies of varying cups, jug and teapots I worked on last week, have now been traced onto thick paper, in order to create a series of handcut stencils. These will be invaluable as I draw into the hard ground of my etching plates. I am hoping to have a linear series where the stencils are freely used to create overlays, for visual complexity. There will be numerous versions. Tomorrow I am also hoping to begin drawing the collection with a series of graphic sign writing stencils. Through them I will find approximation, and fresh, new profiles. Invention will be the by product. Had an interesting conversation today regarding the resident ghost. Shall be aware, and welcoming, if he wishes to make himself known. The etching press is now insitu, just waiting for the tables to arrive. I feel as though I am relaxing more and more into the role. My latest exhibition has just opened at the Signs of Life Gallery, Lawrence, Kansas, USA. Next week will be the Press Launch of this Artist in Residence experience. I am very lucky.
