Deep breath – think my G4A application is ready to submit.
I am trying to think how best to present my work on paper. I like it just pinned to the wall but when it comes to submitting the work for shows it is so fragile like that – which is of course the whole point – but I just wonder if there is a way I could make it easier to handle. I was thinking of pinning it to foamboard, and maybe sticking the foamboard to wooden batons to stop it bending. A bit like a stretcher for canvas.
Clare Smith's mixed English/Chinese heritage informs her perspective on issues of identity and categorisation. Her nomadic childhood and early adulthood have meant a somewhat ambivalent relationship to place, reinforced by the sense of ambiguity that comes from her mixed identity. Smith works with drawing, print media, collage and moving image to investigate this ambivalence, with references to craft, the importance of labour and the handmade. Through her choice of materials and approaches, she creates work which attempts to create a sense of unity, an interpretation of Homi Bhabha's "Third Space" - seen as a space in which different parts can come together to challenge dominant ideas of wholeness. Collaboration is part of Smith’s practice and she is also co-founder of Dover Arts Development (DAD) together with painter, Joanna Jones. This involves working with many different artists, curation, organisation, event management, creating networks across East Kent and influencing the public realm in Dover. Clare works from a studio in Dover. She has an MA in Fine Art from Central Saint Martins and has exhibited nationally and internationally.
