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7th April 2014

Wendy Mc Murdo

Wendy Mc Murdo is an artist I researched when starting my dissertation. She creates uncanny pictures focusing on the doppelganger. Wendy McMurdo works like me in both traditional photography and computer technology to create her photographs. The photographs I will be focusing on are those of pictures of children who seem slightly odd and distant. Her images often explore that of fact and fiction, homely and unhomely making you question the image.

McMurdo uses digital techniques to manipulate the image. She does this to emphasis certain aspects of the image more often than not highlighting the subject making them even more unsettling.

I am very interested in Mc Murdos technique in her photographs such as Helen, Backstage (1995). The background of this image is empty dark much like what I want in my background. The other interesting thing about this photograph is that the ‘Twin’ girls in the image are in actual fact the same girl edited into the same photo. You would never guess that at first glance. This is the type of reaction I was aiming for with my photo shopped images. Disbelieve, double takes and then questions how?

Another image of Mc Murdos I am interested in would have to be, Computer Class, Edinburgh II, 1997.This is again an image taken of a child, this time there is no double added in but the object the child is playing with in this case a computer has been taken out. These images they are even more uncanny, the children are lost stuck playing with their doubles staring so convincingly at an object that is clearly none existent.


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7th April 2014

The Double or Doppelganger

We are all born with primal / instinctual thoughts (id) to do bad things but we do not act upon these feelings as our super-ego and upbringing tells us it is wrong. This is how the double develops in an adult as the counterpoint of an ego, your conscience or superego.

The superego can both praise and punish a person. When they do well, the superego will make them feel happy and proud, however when they do something bad the superego is what makes the person feel guilt and shame.

Most people can make their superego forgive the bad that they have done, this is called Reparation when you try to make amends for some damage you have done. This is related to the religious and spiritual notion of redemption; it always implies recognition of guilt and a wish to repair the damage. (Roth P, 2001) proving some people can overcome the double and keep it in the subconscious.

In some extreme cases the superego does not allow the person to be forgiven and therefore is being constantly attacked from within. This can cause the person to go into depression and sometimes push them to commit suicide or murder in the conscious.

The superego projects all the things it represses onto this primitive image of the double. Hence the double in later life is experienced as something uncanny because it calls forth all this repressed content (Gray R, 2012) It is a negative ego or the bad form of yourself, all of the repressed urges are forced into the double like a bad twin. The fact that our superego allows us to observe ourselves makes the idea of a double more real again making the line between animate and inanimate more blurred.


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5th April 2014

Overview

This blog so far has been mostly technical, talking about all the ins and outs of how I was creating the images and not really what they were about. After having a few tutorials I was told to take a step back and remember what I am trying to achieve, look at the photographs I have created and stop getting so caught up in creating them as what I aim to do may be lost in trying to create ‘the perfect Photoshop’ rather than the perfect image.

What I think they meant by this is that I have taken so long trying to improve my Photoshop ability to create the image, I have moved away from the type of images I want to create and present in the degree show. I want to create images which make people want to take a deeper, longer look at. To accomplish this, my images need to be; interesting, unique and quirky. Then I want people to question how I accomplished that.

I feel that with some of the images I have created, people will not be too interested in, dismiss instantly and not want to spend the time to look deeper into as they are not interesting images. For example, my image of a model on a surfboard; this image looks like the type of photo where the back drop is set up for you so you can pose on it looking like your surfing or riding a magic carpet. You would find this type of thing in a mall or at a water park. Although each layer of the picture has been individually edited and put together from 3 separate images; the background, the surfboard and the model; it is dismissed instantly as it at first glance looks normal and boring. I also do not like the bright colours used in this image. In my other photographs I have worked in greyscale, blues or only introducing in one colour into the image.

One of the images I do like the idea of is the models in the abandoned warehouse. I feel that not only is the actual background image of the warehouse a more interesting image, the fact that the girls are sat in there so casually, so unaware of their surroundings really makes the image as a whole a lot more visually appealing.

I would really like to make more images along these lines. I feel that the background image itself (abandoned warehouse, forests and empty parking lots) are all uncanny places in themselves. If I went along with this Idea I would still be sticking with one of my main themes and it would have closer links with my dissertation.

I would also like to experiment with adding odd objects into the image. This will either be taken at the scene or digitally added to the image later. This would include items such as fairy lights in the forest, abandoned dolls and balloons. Dolls being another uncanny fear and balloons something I have photographed previously which I feel worked quite well and done right could be affective in some of my chosen backgrounds.

Another thing I need to start thinking about is how I would dress the models. In the previous practice images the models are wearing their own random clothes so it was difficult to edit them into certain scenes. I need to make what they are wearing a key part of my planning when taking the next few photographs. As the image will be ruined is the models don’t match or look out of place in their chosen scene.

My current ideas staying along the lines of the uncanny include; dressing the models up like dolls or ballerinas. Still having them in these uncanny out of place areas perhaps still posed like the models in the warehouse photo I have already done so they look really out of place and uncanny.


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24th March 2014

Display Idea – Scale.

Another way of displaying my images would be one or two life size or larger than life sized images.

This idea would work best if I take a high resolution photo for the background image. This would be needed to blow the image up to a suitable size. I am thinking of photographing a breath taking forest or harbour view.

I will need to test the resolution of images using a projector. If my high resolution images don’t retain detail once the scale is increased I will need to create images with a higher resolution to create the ultra-precise level of detail I’m aiming to accomplish with my final prints. Once I find a resolution which works for purpose I could commit them to final print to complete my vision.


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24th March 2014

Display Idea – Scale.

Another way of displaying my images would be one or two life size or larger than life sized images.

This idea would work best if I take a high resolution photo for the background image. This would be needed to blow the image up to a suitable size. I am thinking of photographing a breath taking forest or harbour view.

I will need to test the resolution of images using a projector. If my high resolution images don’t retain detail once the scale is increased I will need to create images with a higher resolution to create the ultra-precise level of detail I’m aiming to accomplish with my final prints. Once I find a resolution which works for purpose I could commit them to final print to complete my vision.


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