0 Comments

Storms in Teacups

We recently had a studio / gallery meeting with our studio members. As with all these meetings, getting 22 people in the same room on the same day is difficult but we try and have as many as possible to make sure everyone knows what is going on, to bat out ideas and update.

In the meeting we introduced the future gallery plans and sponsorship idea. I sent through an email as well with all the info to our members.

One member who wasn’t in the meeting sent an email that questioned us and our ‘profit drive’ and wanted to see our finances (do feel free to be our accountant Mister )

The complaint although slightly wounding is actually hilarious as it came obviously from complete ignorance of what we have been striving towards for the last 6months. I dont think he has even looked at our website or newsletter. Very strange too that you complain without educating yourself about the organisation first and after 6 months of actual being an entity with plenty of meetings along the way.Fair enough to have questions and want to know more. But that was not the gist of the email.

There was a query over accessibility to studio spaces too which never has been and never will be an issue.

The benefits of having Core Gallery outweigh the possible drawbacks and here is some feedback from other members which I publish here as it is far more eloquent than me ranting .

1. ‘ Please be assured that studio members are the key to the success of our cooperative and the birth of Core Gallery is not aimed to take anything away from you, rather give you further opportunities and have a good mix to ensure continuing survival and success.’

2. ‘I just want to point out that Core Gallery is something that we at Cor Blimey Arts have been aspiring to for a few years now.

It’s a positive exposure into the contemporary Art scene, not just around Deptford, but to a wider stage.

This can be confirmed by the number of re-nowned Artists and Curators that have been through our doors and the growing number of attendance from the general public.

We (as there have been several of us working VOLUNTARILY) have put in a lot of hard work to make the space (incorporating Cor Blimey Arts members) visible and into a serious Arts Venue. Cor Gallery is NOT a profit making venture and is still very much part of Cor Blimey Arts, which is a registered charity.

Nothing has changed in the space in terms of accessibility or cost incurred since Core Gallery was set up.

In the past, whenever there was a show up or music events (mostly our own) we still had to be very aware and sensitive to what was going on around us in terms of lighting noise etc, no different to what is happening now.

Core Gallery has been open to everyone to be part of from the outset, It’s up to the individual to decide how much or little they want to be part of this.

Along with myself I think many of the CBA members have experienced the benefits of being involved in such a prolific proactive working environment.’

To work towards making the gallery sustainable is essential. It is a long term goal and a sensible ambition otherwise we wont be able to carry on forever, no matter how passionate we are.

So now I need to set out a list of all the positive benefits to show our members, just in case it is required

Nevermind . It shall be a good evaluation for ourselves to see how much we have achieved and how we wish to move forward.


0 Comments

I apologise for my little moan of exasperation in my previous post

thank you to Jane Boyer, Emily Speed

and Susan Francis

( all artists and all bloggers on a-n and for some reason the links on a-n to their artists talking pages are too long to put here ???/)

as well as a variety of other friends and supporters who perked me up with their commiseration, ideas, thoughts and suggestions all of which I am taking on board! So, thank you. Its nice to hear from you

These as well as other factors have contributed to a more positive outlook and reinforced all that we have achieved so far.

Firstly the tingle of excitement of having several marvellously strong shows lined up : the Eighteenth Emergency and Sisyphus amongst them . Both shows look fascinating and I realise how much I alone learn from having exposure to these artists and curators, their intriguing interesting ideas and all their concepts/ works/ practices.

As I said in the previous blog , the DX open submission is also very exciting, to see the wealth of talent that could show in our space is inspiring. ( 5 days left to enter! )

www.coregallery.co.uk

We also now have two new interns. Charlotte and Jo and they each have projects to work on that we tailored to their own interests and strengths.

Charlotte our press intern has written the most wonderful and illuminating press release for the Eighteenth Emergency. After her first day with us, doing admin, I handed over the artists cv’s, info etc and from it, she wove something wonderful. I am looking forward to her future input

Joanna is looking at our sponsorship programme and inspired us to move this forward as with her assistance we hope we can make it worthwhile. Jo has some great ideas and gumption. She will also be responsible for sales for our exhibitions, someone that can talk about the artworks and promote it at our shows. Not that Core is at all about sales, but we have some amazing talent in the space and they can benefit from our help in attracting collectors for their work. Both bright sparks!

I received a lovely report from my previous intern who seems to have gained a lot from her time with us , which was just 8 weeks so I hope that our new ladies shall be equally pleased by the end of their time with us. As ever I learn from them too.

A couple of friends have also said they shall assist me in my own practise on the admin side – very kind of them too!

Inb practical terms I am going to try and make a stricter schedule for myself in terms of paperwork and allocate specific time to painting and paperwork and try not to stray. In my non art job I am negotiating a sabbatical so that I can test the waters of having no financial security in order to see if it is manageable and that I can sustain myself. to have an extra days to work on the gallery and my projects shall hopefully be fruitful- I am just nervous of losing guarantedd security but more and more I know I have to make the leap. At least it shall give me time to breathe.

Finally I somehow did manage to fit in some amazing exhibitions at The Agency Gallery, Utrophia, Aubin and Wills in Redchurch street and a show which engaged me and invigorated me. A tonic for the soul.

I painted too in the end, after my wonky week , I am starting a piece about The Cadburys Factory in Stonebridge which has the most startling back story of its slow shut down and the loss of jobs for generations of communities that I initially heard on radio 4, fascinating story

Not bad for seeking a bit of clarity……group effort I say !


0 Comments

My mind is a little fraught ; the gallery is taking up a huge portion of my thinking and of course time. I find myself caught between wondering more how to advance the gallery than my own career as an artist. I haven’t made much new work in the last two months as a result and anxiety for both roles is biting at my heels…..

I have to make both these jobs sustainable as selling paintings is slow these days and also I think that my work has a wider focus than just being in a gallery, it is becoming a documentation of society…

For both I think I need to find funding somehow

For the gallery we have a plan for philanthropists that we have just launched. You can now help support Core Gallery from just £35 per year and we have dreamed up loads of great benefits!

Now we just need to find some supporters…….

Here is our newsletter which has more info on that as well as everything else we have coming up.

http://us1.campaign-archive.com/?u=f11c093e634c7ac…

After a 14 hour day on Tuesday on gallery matters in my tiredness I smashed three plates in dazed clumsiness, knocked over countless glasses of water as well.

The following day I spent an hour travelling to drop off a painting, only to realise that I had brought the wrong one and then had to return and pick up the right one. I lost 4 valuable hours and was so mad at myself for being so silly and the fact that I am usually so organised it is a startling contrast as my mind is obviously elsewhere.

With my own practise I am not sure where to begin funding wise: I need a research and development grant to expand the scope of my work, but with all the funding cuts going on I am hesitant that writing a funding application will be worthwhile and perhaps instead we should just focus on getting projects for the gallery. I do not have enough time is clear and really what I want to do is paint right now….. hopefully a little clarity shall come soon….somehow……

The good news is that Elizabeth has been commissioned to do an installation for Deptford X, so this makes Core Gallery a little more sustainable for her. Also after a review of the way we both work in the gallery we decided on a slightly different title than Gallery Manager: Research and Development manager’ which suits more the skills Liz has in coming up with innovative ideas, whilst the day to day project managing is more suited to me.

The Deptford X open submission we are running is looking very healthy, I said at the beginning the standard was very high and it remains that way with a diverse array of works. The judges shall have a tough decision but I already know we shall have a fantastic show at the end.

The deadline is 31st July, so do get your submission in…..

http://www.coregallery.co.uk/competition-for-dx/

Now back to trying to find some clarity


4 Comments

An interesting piece of info that applies to Core Gallery which I read on Jane Boyer’s blog :

Hook up with a gallery when it’s emerging too, chances are you’ll make your mark together.
(lesson learned from Leo Castelli)*

*(read more lessons learned from reading art history by Jane Boyer in her a-n blog, Working in Isolation: a dialog with history, post 3. www.a-n.co.uk/p/643588/


0 Comments