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Since the loss of the studio and gallery Annabel Tilley and I have been stacking up meetings all over the place. Firstly with our very understanding Fenton Art Trust and Local Arts Officer trying to secure all the funding we worked so tirelessly to get. In addition meeting local arts and studio organisations and contacts at Goldsmiths who may be able to house some of the programmes. Our ideal situation would be to find a space that would be able to house us as well as the core members from the studio who wanted to stick together and have a space to do exhibitions and hold DIY Educate. Most days rocked between brilliant meetings full of potential and then a weighing up of what may be best.

Offers were made, proposals were written in some cases with one studio group who are opening up an interesting studio /project space in Deptford which seemed perfect but then were told that the project spaces were going to be allocated to International Project spaces and not just ‘studio groups who put up exhibitions’. This was clearly not what Core Gallery was. It was radical, dynamic and exploratory exhibition programme inviting some of the best emerging international talents as well as being blessed with heavyweight established artists such as Rose Wylie, Graham Crowley, Delaine Le Bas and Freddie Robins. Giving platforms as well to emerging and very talented visionary curators such as Nick Kaplony and Andrew Bryant. How can you not have a space for a project who has over the last 2 years been significant in getting Deptford on the international art map?

One really surreal meeting was with a new gallery created by a property developer who was passionate about art ( so he said) and had a space we could potentially use. As we walked up to our meeting with him I noticed the flash silver Mercedes in front of this gallery in Deptford. The man was wearing sunglasses, not on top of his head but perched just above his eyebrows ( a look I always admire…). Over the half hour we spent with him, he managed to both insult and enrage me. He hadn’t bothered to even look up the Core Gallery website and knew nothing about the thriving art scene in the Southeast. He told me he had no interest in art, artists etc on one breath and then that he had set up the space for artists. … confusing…..he had a great idea that we could set up a Sheesha lounge to supplement the sizeable rent…..a bloody sheesha lounge! You can probably imagine the look on my face at this point. We were diplomatic throughout and left with a heart sicker of a feeling that this may not be a new home.

Just when I thought the ideal would never be possible I got in touch with a leading studio organisation and told them of our plight but also about how incredible the programme had been. The chief executive phoned me immediately and has an interesting proposal for us that could just maybe be an answer…

We also need a name for our new venture. Twitter went into overload as we talked to other arts led organisations CoExist, Sluice Art Fair, Alex Pearl and Emily Speed getting involved as well as Queen of naming Elizabeth Murton. Annabel and I were hysterically giggling in the Tate Modern about acronyms PAP and PEEP and even reggae name generator was pulled out at one point! We know what we don’t want….but haven’t yet found what we do want….suggestions welcome!


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It seems apt to restart the blog right now. One million things have happened over the days since I have left posted.

In a tumultuous 48 hours, the studios where I and Core Gallery were housed were lost after negotiations with our Trustees and landlords broke down.
It was time to stop being bullied for us all but at the same time it was terribly traumatic. Since that point over the churning days that followed I also came to realise I wanted independance from the studio group Cor Blimey Arts but at the same time that also meant I shall lose my Core Gallery. Although I founded it and it was my brain child, my blood, my heart and it should have been my priviliege to take with me to pastures new, it was not my legal right.
‘ All anxiety stems from the fear that we’ll lose what we have or the future wont be what we want. It seems rational to quell the fear by
winning those battles. But perhaps an equally effective, even preferable solution might be to lose them, decisively and
irreversibly- eliminating the sense of fearful struggle by eliminating the struggle altogether. ” Oliver Burkeman
It was hard to do that, harder than you can imagine. And this is going to be quite a shock for some people. But its time to move forward and tell people this.
Because all is not lost. Not at all. Because now I have the independance, skills and experience to do what I wish and the last year working with Annabel Tilley on DIY Educate I have found a new partnership with her. Annabel is passionate, astute, committed and clever. She makes me laugh and she is great at funding applications. Its a fantastic partnership. So we are going to start anew together in a new space and it actually feels rather fabulous.
DIY Educate continues with us. Genorousity and integrity and the will and desire to nurture artists continues with us.
Its been a incredible 2 years and I have learnt an incredible amount. I had the priviliege to work with amazing artists and curators. Some of which will be part of my future.
With special thanks to Annabel Tilley, Elizabeth Murton, Jack Hutchinson, Kate Murdoch, Chantelle Purcell, Michaela Nettell, Charlotte Norwood, Lisa Snook, Jane Boyer, Becky Hunter and as ever my mentor Graham Crowley.

Here is a potted version of all that I achieved with Core Gallery ( if anyone wants to give me a job- this is what I can do and this time I want to be paid for it! )

Founder , Gallery and Education Manager, Curator: Core Gallery 2009-11
Core Gallery founded by myself and Elizabeth Murton through a determination and initiative to create a dynamic exploratory exhibition and education programme; providing exposure, advise, education and nurturing artists whether emerging or established and to enhance the Cor Blimey Arts studio group profile and assist CBA in making their studios a more vital and desired place to be in a competitive studio market. I managed a small team working remotely across the world and worked with over 200 artists and Curators: programming curating, co-ordinating, managing, marketing and promoting 17 exhibitions, 30 talks attracting more then 6,000 visitors over 2 years and a 95% increase in the mailing list. An attraction of national press- we were even mentioned in the same breath as Frieze Art Fair.
Over 2 years we secured Funding to carry out workshops and education programmes from a variety of revenue streams local authorities , national charities, corporate sponsorship, crowd funding to run educational projects and bring resources to Core Gallery and Cor Blimey Arts.
and much much more. All assisted by the fabulous group of people named above and many more.

I go forth with these allies and finish with a talk about setting up your own projects and how to achieve the above.
Come along, it would be nice to see you.
http://www.coregallery.co.uk/diy-exhibitions/
http://www.coregallery.co.uk/

I am also luckily talking about Curating etc for an AIR event at Surface Gallery. www.a-n.co.uk/air/topic/469394
And if you have any suggestions for a name or a building I can use then let me know….

www.rosalinddavis.co.uk


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