Before Hindsight

I am currently breathing one huge sigh of relief. Both birthday parties, the Aquaphonics pool event, and the notorious April 20^th gig, are all done. The pool event, delayed by a week and preceded by the impromptu car park gig, was unexpectedly successful – 6 musicians turned up, and 20 audience, which was beyond expectations.

We’ve come away with 100 still photos, half of them taken underwater by my son, and 8 hours of video, which we have to edit down to 15 minutes for Helen’s degree presentation.

The sound was almost diastrous. On my little 4 track mixer the record light flashes when it’s recording, so assumed this was the same on our digital WAV recorder … but no, red light flashing means “paused”, so we only got about 6 minutes of soundtrack that way. Never mind, the video cameras were recording sound too, and the quality is OK. Got some underwater sound, too.

The day itself was mad, up at dawn organising flowers and balloons for my Mum’s party. Had the brainwave of recycling the flowers as gifts for musicians at the gig. Then off to the party venue to arrange tables, chairs, flowers, balloons. Found a CD player there containing a CD “Favourite love songs from the war”, which made the ideal background. Then greeting family arriving from around the country, making teas and coffees, then the food arrived and was eaten, followed by a long stint of washing up. As soon as we had locked up the pavilion and waved everybody off, leapt into the van to collect video equipment and Helen, and then directly to set up for the gig.

My son (who swam around with a snorkel and underwater camera for 2 hours), and I were totally knacked the next day, and just lolled about in the garden while my partner made us tea and hot chocolate! Such a treasure. Then Monday came and I realised I had just 36 hours to prepare for a gig whose content was still a mystery. Cobbled together 3 experimental pieces; Monday evening managed to recruit a musician from the Improvisers to assist, and then Tuesday rehearsing.

Some parts of the gig were very successful, especially the poetry, and some parts prove a point – that the techniques I experimented with will probably work well in a ritual context.

What next? A little less intensity. I’ve resumed the computer work, facing up to the customers I’ve been neglecting, and apologising profusely. They’re all charities, though, very forgiving, many of them support the environmental and social aspects of my creative work, and a couple even came along to the gigs.

I’m fascinated by the images coming out of Aquaphonics. This is a totally new way for me to make images, and many of them are breathtakingly beautiful. Now I’ve taken my ritual work into the realm of conceptual art, I need to spend some time thinking the other way – how can I take these techniques, especially the imaging, into my ritual work?

Unravelling all the video and sound, and posting the choice bits on the net, is a part time project for years to come … I daren’t devote myself wholly to the task, or I wouldn’t get any new work done for years!

I also want to return to the pyrotechnics. The ACE bid for research funding wasn’t successful, mainly due to the small audiences involved. But I’m not about to increase my audience size – if you’re getting your audience to participate in dance and movement in the half darkness with pyrotechnics around, there are clear health and safety reasons to keep numbers down.

And there’s the improvised mountaineering idea too … still mulling it over, waiting for the key idea that will pull everything together. But I’m going to have a bit of a rest, first – and tomorrow, I’m going to be attending someone else’s project for a change. It’ll be nice to watch someone else sweating in the limelight for a bit.

Disaster!

We turned up to the venue of Aquaphonics at 6.00 pm as arranged to start setting up. We’d got the projectors set up, and were just testing the cameras when the manager came in and said: “Look, You can’t do this, because you haven’t booked the venue”. No apologies, or “There must have been some terrible mistake”, or “Look, this is really awkward, but …”.

We spent some time arguing about whether we had booked the venue or not, but it soon became clear that this was immaterial. The fact of the matter was this: The building was going to be locked at 7.30, and the only way around this would be to wrestle the manager and staff to the floor and tie them up. There are sound arguments as to why this would not be a good career move, and the manager is a pretty chunky bloke.

In the end, we made the best of it we could. I turned my camper van into a little tea & coffee booth and handed out the chocolates we’d bought as “thank you” gifts to the would-be audience and musicians who turned up.

This seemed to put everyone in a very up-beat mood, and it wasn’t long before the musicians were setting up in the car park, and the audience settling down in my camping chairs.

We had a bit of a wild and whacky time, “car park jazz” from the musicians, with the live artists in the audience putting on an improvised movement show. We all had a good laugh and a great time … and it seems that outdoor improvisation has come to me, in advance of me coming to it!

The venue is definitely, Definitely, DEFINITELY booked for Saturday coming (17^th April) … please let me know if you’re coming as numbers are limited. Also, please bring swimming cozzie, as there’ll be a free-for-all swim at the end …

Today, my son is 13, four days ago my Mum was 80, and I’m smack in the middle of the organisation of both birthday parties.

This is where my parenting enters uncharted waters. For the first 13 years life was pretty good – my parents were kind, responsible people, though I became exasperated with their snobbery and formality; and although school involved steering a course between sadistic paedophiles and achievement-obsessed failed adults, I had a close bunch of friends and enjoyed many of the sports and lessons.

I wasn’t your average boy. I had no interest in cars or football. My main pastimes were propagating my collection of cacti, solving maths puzzles, making origami models, and to my father’s undying dismay, French knitting. By 13 I had also carved out a niche in the playground as the kid who listened to other kids’ problems.

The biggest barrier to communication with my Mum remains the question over whether a child’s personality should affect decisions regarding their education. She still believes the military education I was suddenly consigned to at 13 is best, and that my inability to reconcile myself to it betrays a lack of determination. I still believe a path of creative subversion was probably the best anyone could wrest from that desperate situation.

It was a sudden, and premature, home-leaving. From 13, I hated my parents for arranging this impossible ordeal, and, of course, hated my school. Respite was to be found in the bar at Reading station on the 12-times-a-year 200 mile journey between the two.

3 long years of liminal existence, of non-belonging and self-doubt, before I realised that the whole world was bonkers, and that I, and a small group of anarchist friends, were the only sane people within it. Thirty years later, the only small adjustment I would make to this world view is that I, too, am completely bonkers.

Thus it is that I can bring myself to celebrate my Mum’s 80^th birthday, as a fellow bonkers traveller in a world of bonkers travellers.

Another thing I gained from my schooling was a love of the outdoors. Initially as a refuge from the general bonkers-ness, later for the sheer joy, beauty and euphoria of the wilderness.

Over Easter I took time away from work and creative exploits to indulge this passion with my son. He is a keen climber already, and though I endeavour to follow wherever he goes, it is often with shaking legs and a sickening sense of imminent destruction. We managed Pen-Y-Ghent and Inglebrough in Yorkshire, and Blencathra in Cumbria, though the previously stated aim of Scafell Pike eluded us due to gales and snow.

We also took a look down Gaping Gill in the Dales, where a small river disappears down a rather large hole. In my 20s I was a keen pot-holer and had wriggled and writhed my way through the sinuous and serpentine tunnels that lead to the bottom of this underground cascade. My son, after gazing into the darkness of the Gill announced: “I’m going to make it my life’s ambition to go to the bottom of that hole …”.

I guess it’s a human thing … The Peruvian Incas sacrificed their children at the tops of mountains, or threw them down “bottomless pits” in an effort to come to terms with the extraordinary feelings such places arouse within us. And yet there is nobody else in my family history (in living memory, at least), who either went to the top of a mountain, or to the bottom of a cave.

The weekend has begun to clarify my vague intentions to bring improvised performance to mountains … and maybe also extend it to caves. It must come back to the spiritual and the ritual – the Tibetans, Amerindians, Incas and other mountain peoples who worshipped their fierce landscapes. I feel more research coming on: who else is doing this, what’s the anthropology, how does the psychology fit in? But first, I think I’ll indulge myself in a little more pure experimental, euphoric, intuitive, expressive, fervent and passionate human bonkers-ness on hillsides … and, like the ridges of the mountains, just see where it goes.