Back in January 2021 I started a new chapter to diversify my practice, by learning the traditional methods of mokuhanga – Japanese woodblock printmaking. I took a course at West Dean College taught by Adrian Holmes, an extremely generous and knowledgeable artist and tutor. I decided to attend without any preconceived ideas about what design I would undertake. From undertaking a previous course in art handling, I knew that the botanical gardens around the college would be a source of inspiration for observational sketching. For four days I was completely absorbed in both a complex and enjoyable learning process. The skills I came away with are invaluable for integrating the method into my art practice.
Woodblock printing is a method I have been interested in for many years. In 2020 I had planned a three week research trip to Japan, which was unfortunately prospered, due to COVID. Im now looking forward to undertaking the trip in 2023.
Since undertaking the course at West Dean College, it took me a few months to purchase all the materials and carve out enough time to dedicate to creating my first woodblock print. My aim is to transfer my geometric sculptures into two demential prints. I wasn’t ready to go fully abstract, and I had the urge to base my first design on one of my sculptures, an Icosahedron titled Nothing Would Disturb Me. The sculpture was exhibited at Sandham Memorial Chapel in March 2020, as part of a group show titled Saturated Space. The irony was that after the opening the show had to close due to the start of the COVID pandemic. The work was left suspended in time and space for three months, so my memory of it was the revealed interior mirrors, during the install and deinstall.
The process of carving the block was incredibly satisfying. This was also due to purchasing some high quality Japanese carving tools. Over a dedicated week, I improved my carving skills, learnt how to adjust mistakes, and how to print editions, whilst trying to keep the paper damp during an extremely hot summer.
