My New York flight has been rescheduled rather annoyingly for the week I am installing the show at Backlit. I had also planned visits to Manchester and Liverpool, so they have been pushed to one side in order for me to take the trip to the US. Now I have instead this feeling of mild panic in my stomach that I have to give over the control of installing to the technicians and curators at Backlit, whom I trust implicitly to make those deciding factors to how it will look overall. This also means that I will miss the PV, which is a disappointment. I have had to remove the complex lighting show planned in order for the show to become simpler, but hopefully I will be able to install this somewhere on later in the year if it fits.
So, I will spend the next couple of days finishing off the large sculptural pieces which will either arrive in a van complete or in parts depending on transport issues, the rest is manageable…
OK, so I was expecting to be in New York tomorrow, but due to the current ash crisis, I will not be. Fortunately now, in lieu of being away, I have managed to catch up with a few things outstanding. Work for Gloria’s crew is done, work bought has been sent, my talk is over and the work for the show in Nottingham is ahead of schedule. I have the small pieces framed, the large pieces to work on a little and the sculptures are 2/3 of the way finished. I am going to work on a sound piece this week collating all of my ideas as well as finishing off the sculptures, so if I am clever with my time, I may take full advantage of the 3D room at work over the next few days to get stuff done. I am actually looking forward to finishing off the sculptures more than anything and for another project, I am working on a new costume. So lots of things in the making with a little space in sight to work on things that don’t have a show to go to. I am very excited…
Finally, after almost a weeks install, the artist collective C-O-L-L-I-D-E-R and other regional (Eastern) artists collectives got together for the show ‘Wysing Arts Contemporary Presents’, in Cambridge. Our collective, C-O-L-L-I-D-E-R was ambitious in terms of making two structures interlinked by blue piping to act as outlets for our collaborative and then later our singular visions of work for an art fair.
That done, I am now working on a piece for ‘Glorias crew’, a show at The Vaults in Birmingham as part of ARC. I am likely to let them have older selected pieces also, but am enjoying making a new piece for it.
Then onto the solo show at Backlit called ‘To taste molten diamonds. Some work is at the framers, others about to go to the printers, with structures to be made over the next couple of days and a bit of lighting to be bought and a poster to design.
Tomorrow night, I will be attempting to talk for 3 minutes with 10 slides of my work alongside other artists and creatives at TAP in Southend as part of the 3 minute wonder programme set up by Metal.
