Putting my Audiences survey together really made me realise just how difficult creating an online survey is. I had originally thought I’d do a fairly simple and quick survey as a means to fill-in for the fact I hadn’t got round to editing last week’s show. But a survey like this is never going to be simple.
There are so many variables affecting people who might be willing to travel to See contemporary art. Every question needed to be talked about, rather than a simple yes / no, or multi choice answer that I have put up. It’s reaffirmed my belief in how conversations can reveal so much richer data than a simple tick box survey like the one I have posted onto http://creativedialog.wordpress.com.
Still I decided to plow ahead and I have put up onto the website a basic survey. I am not sure really what the results can tell us (At the moment the results are given us percentages) about the audiences who visit contemporary art in a rural area. In my discussions during putting the survey together its been emphasised that the reasons are complex (in both why people attend and why they don’t attend) and hard to pin down in.
Can help me formulate a question around audiences going to see contemporary art in a rural area?
I won’t have time to edit this wks creative conversations show & as quite a few of my conversations have touched on audiences, I thought I’d replace this weeks show with an online survey, which I’d post onto the creative conversations blog.
Post would go along these lines – any suggestions for changes or feedback on its clarity welcome.
Audiences survey
I am very interested in looking at ways to attract an audience to contemporary art, especially in a rural context where audiences are spread across a large geographic area.
What do you think is the main issue stopping people attend contemporary art events in rural area?
– time (there are more pressing things to do)
– distance (people do not want to travel say an hours journey in a car)
– transport (public transport is not as good as within an urban area making it difficult to get to places)
– quality (the type of art event is not to my taste)
– knowledge (it is hard to know of these events)
– other
Comments
Another very interesting discussion features on Creative Conversations 7. This week you will find me talking to Carolyn Black, freelance producer for ExLab.
ExLab had seven quite major commissions shown across Dorset over the summer of 2012. It is also an interesting structure as it saw seven different organisations forming together. Along with hearing about ExLab and its structure, we hear Carolyn being quite honest and open about how things went and the lessons learnt.
I found this to be a really refreshing experience as so many publicly funded arts organisations (NPOs) and arts officers, who are working with public money, have NOT stepped up and agreed to talk ‘on the record’. So often they just seem to want to put in their secret arts council report, which we won’t get to see. So I’d like to offer Carolyn Black a big thanks for agreeing to do one of my recorded conversations and having her thoughts collected into my growing archive.
You can hear the show at;
http://creativedialog.wordpress.com/2013/03/08/cre…
My new series of ‘Creative Conversations‘ shows has been picked up by Soundart Radio 102.5 FM. This is an independent radio station based in Dartington Hall, Totnes, Devon. If you live in the area of its reception you can hear the show every Friday at 6pm.
It is great to be a part of Soundart Radio, as they, like these shows, is part of the movement towards the local and the global existing together. The radio station is very community focussed and welcomes everyone to make imaginative, innovative radio programmes.
It is great to think that people in Devon are listening to the experiences of local artists and art groups from West Dorset. That the issues that face us here can resonante with the people in the neighbouring county.
www.soundartradio.org.uk
My latest installement of recorded conversations between local artists has just gone live. On this show I talk to Olivia Nurrish, one of the founding members of artwey, who are an artist led group from Weymouth & Portland.
I see artwey as a very active arts group in the borough. In a town that is not known for its cultural bent. Weymouth & Portland has no public art spaces, only some spaces in a few galleries. There isn’t really any support from the council in anyway. Artwey have done around twelve shows this year. Their logo their name is really out there and people become more and more aware of them. They have built a very good relationship with the local press.
artwey become a CIC, A Community Interest Company, in 2009 and I was interested in why they had chosen to become a CIC rather than just be a constituted group. That this entailed extra work, specifically greater records and audited accounts, which also means the group needed extra income to fund these additional jobs. They had been greatly guided by Weymouth & Portland arts officer at the time. They have since discussed if it was a good idea on becoming a CIC. But looking back, though yes it is an extra burden, Olivia feels like it was a good idea to have become a CIC so early. That it helped them secure some funding, and helped them formalise the group structure, its aims and objectives. Artwey are now just about to revisit their constitution and their ethos.
You can hear the show here: http://creativedialog.wordpress.com/2013/02/15/cre…
