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I had a chance conversation with Mary, from Manchester University. I told her I had a studio at Cow Lane and her eyes lit up. She said she always looks out for Cow Lane when she drives past, as it is the only place in the area where you can see a remnant of the community where her great grandfather lived when he came over from Ireland in the 1840’s.

That’s just a great start for my practice! I spent a bit of time yesterday mooching round the remaining streets – much of the area has been razed to the ground in preparation for new apartment buildings. (though when they will be started is in the lap of the economy!) Then a couple of hours in the local history centre in Salford Art Gallery, looking at maps.

The Casket Works which houses us and Hotbed Press and Suite studios, was built on the site of Grooms Buildings, three rows of particularly cramped back to backs with alleys rather than streets between them, and a shared pump. The new building was a confectionary works in 1910, and it was extended between then and the 40’s, to take in some terraces at the back and three big houses with gardens. Hotbed and Suite are in the original building, and we are in the 2 storey extension

I also crossed Chapel Street to look down at the Irwell, which is so beautiful at that point, opposite the Crescent of Georgian houses. The road at that point is 6 lanes, with pedestrian crossings which take for ever to change, and are so far apart that no-one ever gets the chance to stroll over from the University buildings to see the view. You can always tell how people are treated by how the rivers are treated. In this case, both have been sacrificed to the car.


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The Platt Hall Costume Gallery opening was lovely. They counted over 500 people through the doors, and though most people were there to see the newly renovated building and the costumes, and the entrance was pretty crowded most of the afternoon, there was a lot of interest in the installation.

Highlights for me were Susie MacMurray’s new garment ‘Widow’ which is stunning,

http://www.susiemacmurray.co.uk/

and the cases of shoes, just beautiful! If you haven’t been, or haven’t been for a while, it is really worth a visit.


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I am kicking myself! I completely forgot about the Antique Textile Fair on Sunday. I’ve been waiting for 3 months to get a chance to buy fabrics that I can use for my next body of work. I can’t believe I forgot! I’ll have to get back on the internet and see what other possibilities there are, but this one was so convenient, cycling distance from home!

I guess I am preoccupied with the installation at Platt Hall, which is going well, we tried out some new ideas yesterday and the whole thing fell into place. Now it is just about building and small decisions. We decided we don’t need the full week so Christine can do her paid work today and can I have a day off. Back in tomorrow and Thursday and hopefully we won’t need Friday. We had a great volunteer yesterday from MMU’s Embroidery degree, and have a couple more tomorrow. It helps to share out the heavy work of moving the sheets around.

I’ve just discovered google analytics where you can track who visits your website. It is well worth a look, mainly for me it is a reminder that there are potentially interested people out there. You can track what route people come to your site from, how long they spend, which pages they look at, and what national or international location they are in. It is a bit geeky, and slightly voyeuristic, but even for a not very business-like artist, it could be useful.

www.google.com/analytics/


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I can’t get over how much having a studio has affected me. I am so excited about it, so happy when I’m there. It represents more than it’s dimensions!

I had the space at home. That’s not what I needed. The studio represents time, not space. I set aside time to go there, and if the work is difficult or challenging, or if I am stuck or have no ideas, I have to stay with it, because I am there.

Mostly so far, I have been organising and setting up my work area. But yesterday I got out my watercolours and the photos I took in the snow and began to do a sketch. At home, I wouldn’t get beyond that initial resistance, but at the studio I keep on going.

I won’t have much time there this week because we start to build the installation at Platt Hall on Monday. I have some MMU students coming in to help, which is great, because the work is physically demanding.

Christine and I sampled last Monday, trying out ways of getting our two materials to work together, and I came away feeling very anxious that we would not be able to do it. But after looking at the photographs, I can see a narrative emerging about the role of the gallery which is about conservation as well as display, and the installation could be a metaphor for the attempt to hold back the creep of decay.

Christine’s big crochet pieces are quite sinister when seen against the sheets, which create order and structure. So I think there needs to be a tension between the two materials, rather than an attempt to make them work together.

Surprisingly, I feel pretty relaxed about it. It is an experiment and some people will like it, and others not. But I hope the gallery like it!

I had a couple of very useful meetings this week about how to find opportunities to get my work seen. One was with Mark Devereux from Blank Media collective, who champion emerging artists.

www.blankmediacollective.org

He had some practical ideas about on-line portfolios and using social networking sites. I am going to start looking into that. I’d be interested to know what other people are doing. Perhaps I can raise it at the skill swap that Emily Speed is organising.

www.a-n.co.uk/p/497389


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