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lately i have been feeling that i’ m at a stand still.

from a stand still i can:

  • look around me
  • listen to what other people say about past work
  • feel good at being stationary
  • see what resources are near by
  • move towards nearby resources
  • feel good
  • be present
  • let anxiety wain
  • dabble at making mental space to consider something
  • be ok with an unknown direction
  • feel content
  • reduce the noise within my thinking
  • feel excited about doing something
  • reflect upon what books i have available
  • reflect upon what is meaningful to me
  • accept being stationary
  • create a list in no particular order
  • feel ok about not editing the list
  • decide there will be a time when not stationary (even though at the time of writing this feels overwhelmingly unachievable)
  • ignore the overwhelming feelings of failure
  • look forward to enjoying doing something for myself
  • not to dismiss everything that comes to mind because its no good.
  • stand and feel alone and for now be ok
  • consider what resources i have to draw upon, to create, to form, to rearrange.
  • not get hung up on the context immediately – what is it?
  • take to a blogging platform and make a list of all the wonderful positive awareness that being at a stand still affords.
  • be aware of feelings of inadequacy and failure.
  • relax about not feeling connected with people in the manner that i really want it to be.
  • acknowledge the spinning of plates for other people – metaphorically.
  • know when to stop trying to describe / connect with the positives of being at a stand still.

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i described the idea for an experimental time based media project to chat gpt:

an experimental time based media art project where I invite people to contribute time based files and in the combining of the files I explore the communication between those taking part as a metaphor for how the microbes in the human body communicate.

here’s what chat gpt came back with

That sounds like a fascinating and innovative project! Here are some steps and ideas to help you get started:
Concept Development
1.Define the Objective:

Clearly articulate the main goal of your project. For instance, you want to explore the metaphor of communication between participants through time-based media files, analogous to microbial communication in the human body.

2.Scientific Parallel:

Understand and research microbial communication, such as quorum sensing and other signaling mechanisms. This will help you draw accurate and inspiring parallels in your art project.
Participant Invitation
1.Call for Contributions:
Create an open call inviting people to submit time-based media files. Specify the formats you accept (e.g., video, audio, animations).

Provide a theme or prompt that aligns with your concept, such as “communication,” “interconnectedness,” or “microbial life.”

2.Submission Guidelines:

Clearly define the duration, format, and quality requirements for the submissions.

Set a deadline for submissions and a method for contributors to upload their files.
Combining the Files
1.Collaboration Platform:

Choose a platform or software that allows for easy collection and combination of media files. Options include collaborative tools like Google Drive, Dropbox, or specialized software like Adobe Premiere Pro for video editing or Audacity for audio editing.

2.Integration Method:

Develop a method for integrating the files. This could be algorithmic, random, or manually curated to create interesting juxtapositions and narratives.

Consider using software that can automate some of this process if you expect a large number of contributions.
Art Exhibition
1. Presentation:

Decide how you will present the combined media files. Options include a physical installation, a digital exhibition, or a live performance.
Use projection, multi-screen displays, or immersive environments to enhance the viewer’s experience.

2. Contextualization:

Provide context for the audience by explaining the metaphor and the connection to microbial communication.
Create accompanying materials such as a brochure, website, or video explaining the concept and the process.
Interaction and Feedback
1.Audience Interaction:

Consider interactive elements where the audience can influence the media combination in real-time.

Use sensors, live feedback, or other interactive technologies to simulate the dynamic nature of microbial communication.

2. Feedback Loop:

Collect feedback from both contributors and viewers to understand the impact and perception of your work.
Use this feedback to refine and evolve your project in future iterations.
Documentation and Sharing
1. Document the Process:

Record each step of the project, from the call for contributions to the final presentation. This documentation can be part of the art piece itself.

Consider creating a making-of video or a blog series to share the journey with a wider audience.

2. Share the Outcomes:

Publish the final combined media files online to reach a broader audience.

Engage with online communities and platforms that focus on media art and experimental projects to share your work and gather more insights.

By following these steps, you can create a meaningful and engaging time-based media art project that not only explores the theme of communication but also involves a diverse range of contributors and audiences.

 

 


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