Morning. It is half term. I am not in Yorkshire doing workshops. I did not get up at 5am or drive on the M62 at 15mph in a queue for so long that I couldn’t feel my foot. I am a very happy artist.
Apart from the toothpick hospitalisation of a 7 year old, last week ended up being great. The teachers all helped out and really pushed the conceptual side of the work (drawing and modelling yourself as a building based on personality). It can be hard for the kids to grasp, but when pushed they make amazingly thoughtful and often amusing work. Last week was the best school so far in the whole project. My next things for YSP are writing the interim report (next week) and planning the publication, as my print deadline is in May sometime. But it will be banished from my mind this week. It does not exist.
I do have a truckload of work to do however, but it is really meaty good stuff that I am happy to be settling down to. I don’t like working in dribs and drabs and I don’t think it’s good for me either. First – writing, second – cataloguing and third – report writing. For breaks inbetween I shall be carving little bits off my soapstone feet that are slowly emerging.
This week is time to work at home, in my lovely new house that has finally been unpacked. My studio is go, so is the nice clean desk for the computer. Opening the door to the spare room is still fairly treacherous, but we don’t talk of it. Not a problem until April when an artist from Linz is coming to stay for a few nights – she has a show in Liverpool with POST (set-up funded by a NAN bursary I think. )
I was reading a really good article about J.G.Ballard in the Guardian on Saturday (based on the Crash exhibition at Gagosian currently) and it made me think about working habits. I am hopeless at working at home, or I have been, but I hope the new house will allow me the opportunity to break with some bad habits and to be more efficient. This may be foolish, but just humour me please. Apparently Ballard took two daily constitutionals and I thought how amazing that I can go and get my sister’s dogs and go for a walk with them anytime. In Liverpool a walk in my local park (Everton) would have involved the walk of doom through the smackhead gates. Theory is that I go outside as a reward for some work done, get fresh air and come back renewed – I’ll see how that goes!
Speaking of Liverpool – work on developing the Festival Gardens starts today. I went a lot as a kid because my Auntie busked there and we could go in free. I remember it as some wonderous oversized Charlie and the Chocolate Factory place, although a recent visit through the hole in the fence suggests otherwise. But that dragon slide that you can still see from the road, I used to have dreams about that being filled with water in some underwater land. I think I have got the reality of it (giant pencils as benches! Giant jam jars!) mixed up with the wonder in my head. Either way, I will be sad to see being developed somehow. Working with kids so much recently has really opened up some of these impossible thoughts again – especially looking at the buildings they design.
POST Liverpool: www.a-n.co.uk/p/498645/
Ballard article: http://www.guardian.co.uk/artanddesign/2010/feb/13/jg-ballard-exhibition-iain-sinclair
Festival Gardens: Pictures from 1984 and 2004, also a short film. The legacy of a “unique riverside parkland gifted to the city and available for all to share” didn’t really work out so well then! http://www.bbc.co.uk/liverpool/capital_culture/200…
News report on Garden Festival: http://www.youtube.com/watch?v=M29ekNg6dyo&feature…
Dan Simpkins and Penny Whitehead made a really interesting newspaper with contributions from artists, based on the gardens, regeneration and repetition of history within the capital of culture. See more about that and get a free copy here: http://www.danielsimpkins.net/main/future/future1….