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Just pondering who to nominate for the Liverpool Art Prize next year:

http://www.liverpoolartprize.com/

Lots of good artists working in Liverpool at the moment and some people whose work I love… but you can only nominate three people. It’s a funny little prize, which I think was the Liverpool-own version of the turner prize for 2008 (Capital of Culture year of course), although I’m not 100% on that. £2,000 or £1,000 in prize money will no doubt make quite a difference to someone. The exhibition is also a nice chance to see a good chunk of someone’s work rather than the odd piece in group shows.

Karl-Heinz Klopf from Linz came round for a cuppa the other day.During the first visit to my flat he was video-interviewing me, so it was nice to not be thinking about the camera shoved in my face! :) I was asking him about his career and when he felt like a mid-career or fully fledged or made a living or however you might describe that stge of a career and he said he still didn’t. Quite unexpected from an artist with a very impressive track record and a lot of good work behind him. He said most of his income went back into making work… maybe it never changes!


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Tax return is filed! I made a pathetic £5,372 in 08/09, so it’s no wonder that I started this blog in January in an attempt to address the very serious issue of making more money.

I think I have at least four times that coming in this year, but I reckon at least half of that has been for materials, printing and travel and other expenses: it adds up so quickly. So that doubles my income at least – and takes me just above the poverty line, not bad for a blog.

The receipts since April this year have been piling up and I am collecting EVERY bloody THING: I had my finances investigated the first year I was self employed after my MA and that is not pretty. If I am picked to do that again, I will have to be much better prepared… especially given the increase in work and the fact that I will be putting expenses down for the first time.

Next year, the tax return gets done in April, it all gets too fluffy when you leave it so long!


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My husband just sent me this link and I have been laughing out loud throughout. It is an exchange of emails (with pie charts!) and also a very good and hilarious example of how things can go wrong if you ask people to work for free (also if you have a shoddy business plan).

Please design a logo for me. With pie charts.
For free:
http://www.27bslash6.com/p2p.html

Warning, much effing and geoffing.

Enjoy.


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I would like a mentor please.

To be fair, I think I get bits of mentoring here and there off various people in all different roles – advice and encouragement that is really valuable and much appreciated. But wouldn’t it be great to have someone to build a longer term relationship with? Perhaps work with.. or someone who could remind you of your goals and give you a nudge when you’re heading off track or making wonky choices. Someone whose work you love and admire.

I saw this today, twittered by Hayley Harding of Axis fame:

http://www.rolexmentorprotege.com/en/visual-arts/i…

and thought it looks like an amazing year. This year’s visual arts mentor is Anish Kapoor. A less famour version please!

YSP did offer to help me get in touch with groups in the area while working towards the exhibition.. perhaps this is a good chance to make some valuable links. Architects were mentioned.

Must not waste this opportunity…Must not waste..etc.


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I’ve been having to write my entries in notepad this weekend, because I can’t seem to concentrate for more than two minutes at a time. Got lots of reading/writing to do and none of it is coming very easily.

I did a talk/some tutorials at Sheffield Hallum last week and it reminded me of a few things I have been thinking about, mostly slow burn careers. It also made me question how I talk about my own work – I usually manage to get round it a bit by talking about money and things. But, as this was a professional practice lecture series, I could only talk in terms of my own experience. So, for the first time in ages, I went through my experiences since BA (8 years ago) until today, warts an all.

I realised I put myself down a lot and I thought afterwards that maybe I should have done two talks – one presenting the glossy, perfect timeline in retrospect way, and then the same talk again, but with the problems and everything included. That might be a better way to illustrate the reality of it, and would highlight the fact that often you will only see glossy talks. Oh well, lesson learned.

I heard myself saying at one point (to 3yr BA’s) ‘I’m not that much further ahead than you lot really’. I had to think then, because, actually, I know that I’ve been working my arse off for ages, and it feels like it’s just starting to build into something. But obviously I have some issues still feeling like a graduate. The terms ’emerging’ and ‘mid-career’ are difficult ones and I see myself as floating between the two. As I started giving too much of myself away at the end of the talk (always uncomfortable when it’s not a dialogue) I said something about money. This is one of the things that is trapping me, and my work in the former category: I find it very difficult to imagine making things that cost more than, well, not much.

At YSP they asked what I might need for a production budget and I couldn’t answer: I knew if I said a number it would be ridiculously low. When they said that the book budget would have to be under £2,000 I stuggled not to let out a whoop.

Basically I am like the bloke in Warrington who won millions on the lottery but just moved round the corner to a bigger house and upgraded his car to the new model. It’s not that I don’t have ideas that I want and can’t afford to make, quite the contrary, but I don’t know how to make the leap. I am daunted by project managing rather than making things myself and am not confident of my ability to deliver, having never done it before and therefore I avoid applying for opportunities with ‘proper’ budgets.

There, look – I just gave too much of myself away again…


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