For this painting I had a warm up first – getting ridiculous marks out of the way on paper a bit.
Then I decided to carry on with the limiting of my palette and see how far I can take burnt sienna with white. I do find the addition of black useful to add wider tonal variation, but the way I have been applying it, it just overpowers everything else. So remove it until I control my use of it!
Catherine Wynne-Paton is a practicing visual artist whose work is informed by an interest in text resonant with particular places and people and is creator of The Lost Library which has appeared at The National Eisteddfod of Wales, Fringe Arts Bath, Deptford X Fringe, The Wrexham Open and MainSpring Arts. Wynne-Paton studied Fine Art at Hereford College of Arts, received the Meadow Arts graduate prize, was the first Print Shed artist in residence and received PEAK micro commission for new work. She is a founding director of Framework Herefordshire, set up in 2014 to support emerging artists through exhibitions, talks and opportunities for skills development. She has curated graduate exhibitions PaperFields in London and Hay-on-Wye. She sat on the Jury for the Hidden Gems grant scheme, delivered by Herefordshire’s a Great Place that brings together the arts, heritage, rural communities and the creative use of digital technology. She has an enduring interest in curating the work of, supporting and creating networks for artists working in rural and remote areas, which led into creating an archive of conversations she has with artists in written and videos formats.
