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Last week I took the cash machine pictures to a folio forum in the Photographers Gallery, London. You are expected to project a few images, then give a ten minute talk about the work, presenting any questions, doubts or queries you might have. A great opportunity to show the work in a different environment and to a group of peers and experts; about sixty people were there.

I asked how people thought I could develop the project, even should I continue the project now that the confidence in the credit and banking industry had completely collapsed? Perhaps the job was done.

Apart from a brief diversion when the discussion went off down a ‘is it documentary or is it conceptual?’ debate a choice selection of options came up. Group shows and artist run galleries seemed to be to the fore. My fears that I was being pitched into a lion’s den of fstops and camera nerds were unfounded. Everyone was encouraging. I’d recommend that anyone working with photographic imagery should consider it as a very useful showcase, a widening of the conversation.

www.photonet.org.uk/index.php?pid=237


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Several people have mentioned that the cash machine photographs are reminiscent of a form of contemporary archaeology. There is an amusing story of a study group analysing the stratified remains left in the back of a Student Union minibus. I hadn’t thought of this myself, though the concept of documenting something, unselfconsciously, over a long period of time, like time-lapse, I do enjoy. This process could be seen as a form of geological study using photographic records and ongoing time, rather than groping about many centuries in the past. A New Wave of Archaeology studying what is around us now, or documenting what has just been lost whilst it is still warm in the popular memory. Double flip, could this concept be taken into future time?


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