This is what I have been using as my statement up until now. While I think it covers some integral points, my work seems to be ever changing, and I think some key questions are missing. Ideas of investigation, functionality and presentation….
Art is the way into conversation, yet thinking, talking and writing about what is essentially a visual process is one of the most difficult things for an artist to do.
The “medium” of the blogosphere opens up a space for a critical and analytical dialogue between me and my work, creating a harmonious cycle where, while the blog is the driving force for the artwork, the content is also about the creation of the art itself. This, in turn, creates a battle between aesthetic values and practical realities of production, resting somewhere between our bodily experience and our intellectual understanding of communication.
The fragmentary images are echoes of unread words and a translation of them is not necessarily required. They form visual patterns, or codes, which play a dual role as imagery and as building blocks of meaning. Presented as a range of subtle processes of exchange, in contrast with mass interaction; each piece of work has the possibility to last forever, change or be erased completely.
Paradoxical qualities dominate: public/privacy, fragment/whole, reveal/conceal, substance/ light. The notion of time is also central to the operation of my practice, constantly shifting between immersed and immediate studio time. In order to blog, I must experience the entire length of the day, how I use the time determines what I blog. The writing is situated in a public arena, where typing is a very quick and direct activity, this is in complete disparity with the long hours spent labouring over an artwork in my private studio space.
When making work, a contemplative space is created wherein I am more fully able to reflect on my own sensory experience. I wish to create a similar understanding for the viewer where they can experience the familiar through my work; with mark making acting as a form of contact between artist and medium, artist and audience and audience and artwork.