Sound and Vision
JANUARY 13, 2016BRIANGART EDIT

On the morning of December 11th I recieved a text from a good friend informing me of the death of David Bowie. As with inumerable others, the music and lifestyle of Bowie was significant in shaping my youth. He acted as conduit for so many things that seemed beyond the reach of ordinary kids who were embarking on ordinary lives.  He made life appear exciting, adventurous and open to change. Through the music, his lyrics and influences  it was possible to go off at a tangent and discover new worlds, stepping from the Velvet Underground to Andy Warhol, then on to William Burroughs and back to the rawness and recovery of Iggy Pop.  You could also delve into to the world of fashion and the likes of Kansai Yamamoto, Ola Hudson and later, Alexander McQueen  or move towards theatre and film taking on Brecht’s Baal and David Lynch’s Elephant Man.  It could be said that there was something for everyone, after all Bowie even did a Christmas special duet with Bing Crosby.  An everyman who defined himself as an outsider, maybe he was in some way  regardless of his successes and critical acclaim.  A self-proclaimed alien who always brought people together rather than alienated them.

My response to the news of his death was to go into the studio and create some work. 

 

Low

Was Bowie an Outsider? In terms of visual arts I am not always certain as to what actually constitutes an Outsider any more, the term seems to have taken on a life of its own since Roger Cardinal’s 1972 Outsider Art book.  I would also be very wary of defining myself as an Outsider even though I have taken an interest in it for a number of years and have been involved with organisations such as Outside In and Uncooked Culture, taking part in group shows and running workshops on the likes of Alfred Wallace,  Jean Debuffet and  Nek Chand.  Just by looking at the works and lives of these artists it’s clear that  Outsider Art is not a particular style or a lifestyle; it is simply far too diverse and complex  to be defined in such ways. Thanks to the internet and social media there are  an abundance of networks out there who see themselves as “Outsiders” some are good and true which have a genuine interest in the work and the people they represent but there are some I find a little dubious – seemingly just out to make some profit on a growing trend. It is because of such differences that I wrote  an article for KD Outsiderart blog on “What it means to be an Outsider Artist” http://kdoutsiderart.com/2014/08/13/brian-gibson-what-does-it-mean-to-be-an-outsider/  to clarify in my own mind what being an Outsider artist meant to me .


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Lieder 16
JANUARY 1, 2016BRIANGART EDIT

Towards the  end of 2015 I had this earworm which lasted  several days …. it was Bruce Hornsby’s The Way It Is. ( https://www.youtube.com/watch?v=cOeKidp-iWo )

And…this earworm makes me wonder  about  The Way It Is  could I create  something visual around this track  as part of my studio residency at 44AD Gallery for something ive titled  Leider 16 aka art songs  . Is it an art song ? Can you take an earworm and turn it into a work of art?

I’ve now  moved into the studio and started on a few things , setting out some images and old song sheets whose covers and song titles interest me.Its good to have the space to work in , its clean and sparse and quiet too . Its good having the wall space to see what works and what doesnt , some things work better than others ,some need more work , but thats the flow of the creative process , what looks great one day looks maybe not so great the next or what didnt look good at first  is actually ok and could lead to new ideas.

But back to that song …in the  world of genrefication I guess the song it sits as a classic piece of A.O.R, something that would fit in perfectly to almost any Radio Two playlist, a piece of Americana, a piece of Dad rock for that solitary journey (heading either to or from home) when it feels like everything that is personal to you is falling apart, a song  with a narritive about social injustice and  not believing thats just the way it is. That’s my experience/relationship with the track, a song that I only ever heard on the radio, something there in the background rather than something that I would tune into. So it’s a song that I have viewed with a certain ambivalence, it was never in my (or for that matter of my peers’) record /cd /download collections. It’s  is a song that never entered any of those (many) late night music-orientated conversations that I’ve had over the years.

Would it have been different  if the song had been written or recorded by Bruce Springsteen or even Van Morrison.  Maybe I would have taken a greater  interest in it or picked up on its reference  to the civil rights legislation of 1964 .   Perhaps if sung  by ‘The Boss’ or ‘The Man’ it would be regarded in a different light by myself and peers but it wasnt, its  by Bruce Hornsby and The Range  its  mainstream music, it may well be  regarded by many as a great and significant  song but it also veers into to the safe rock realm of Huey Lewis and News,  Deacon Blue and the likes  – and thats a  place I tend to avoid.

Of course I am placing the song within my own parameters of taste,  what if I approach  this track from another perspective ? after all wasnt  it the Ramones who took on the Bay City Rollers track Saturday Night  ( https://www.youtube.com/watch?v=dBn2ux5vRHk ) and turn it into  Blitzkrieg Bop  ( https://www.youtube.com/watch?v=TYh1lRR1m6Y ).  I have no nostalgic interest in  this song ,it was never even a guitly pleasure.   I know very little about the song except through hindsight , for example that 12 years after its original release in 1986 it was recorded as Changes by rapper Tupac, however not being into Tupac at the time  the song continued to remain off my radar .

So thats my relationship with the song and whats  occupying me now is creating something visual around the song ? Where do I go with it ? the title, the narrative ,my ambivalence , my intrique . The only way is to start ,to do something ,see what evolves  .  Below are the results so far of what has emerged by listening to this track  .  At the moment they all have the title  The Way It Is  and I dont really  know how they relate to the song at all , for me thats not important ,my intention was for the song to act as a catalyst to producing some work and I could only have made these particular images by listening to that particular track .

What will be the next track ??

 

The Way It Is

The Way It Is 

The Way It Is

 


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