This Professional Development Bursary was to pay for mentoring from curators to help me develop and contextualise my practice within current curatorial thinking. Aiming to examine and reflect on my work and make future plans for directions and potential outcomes.
Haecceity is a commissioned residency as part of the 2017 Warrington Contemporary Arts Festival. Over the coming months Tracy Hill will explore wetland locations around Warrington. Specifically Hill will be examining our human relationship with these post industrial spaces.
Recently I applied to an open call for artists from itsliquid group and I was invited to show my work in at THE ROOM contemporary art space in Venice for an exhibition called ‘Visions – the garden of liquid identities’, which […]
Previous Student Project
At the start of my current project, I played around a little with the idea of using food in my art practice. I’ve played with food before as seen here. It was a lot of fun but I’m unsure if […]
In February 2017 I proposed a research trip to a cluster of projects and event in Germany and the Netherlands which are situated across a variety of my artistic interests and resonate with several of the projects I am currently […]
Art is a language, learn it
Yesterday myself and 3 other sculptors were asked to be a part of this year’s Coleg sir gar’s stand at New Designers 2018 along with the college’s ceramicists. The ceramicists did all of the fundraising to pay for the stand so we’re […]
I’m currently looking into urban decay and abandonment, the process of a changing urban world and the feelings of dystopia contrasted with the possibility of renewal. I’m giving consideration to imagery that portrays both a sense of place and of change.
If one year equals 7 dog years; Me and Cosmo embarked on our middle age together, and I looked to him for inspiration for a new body of work!
This blog shares my experiences as the inaugural Artist in Residence at Tower Bridge throughout 2017. As the residency ends, I reflect upon the year long development of my multidisciplinary practice.
Recently I’ve been exploring making domestic objects useless as their intended purpose. I’ve had lots of fun with the project so far and I still have more work to come, but this has been a new way of working for […]
Presented at the ‘What Is? Collective’ event, Heads Up Festival, Hull, March 2018.
Following an artist-led community engagement intervention on the Trees Estate, Preston
I’m slowly figuring out what exactly it is that I want to convey through my work. I’m finding it difficult because I work quite intuitively with materials, so I tend to reflect on what it is I’m trying to say […]
Reflecting on the experience of opening a gallery in an area simultaneously denigrated, marred and celebrated for its unique political history,
Something I’ve been really considering with my work this term is how to display pieces. My degree show is coming up really fast and it’s forcing me to consider different ways to display my work. For this piece in particular […]
XSexcentenary appearing at Glasgow International 2018. Register for our events, make alternative mourning clothes, be part of the Necropolis procession and more……
Professional Development Bursary 2016
Study of foil placed on window- exploring it’s colour and reflections, studying the way in which it can be transformed as a material.
This body of work explores the collaborative relationship between Emily Hartless and Anna Rogers.
A project I have planned coming soon, using petri dishes, was influenced by Sonja Baumel’s work where she lays her body into a large petri dish (acting like the canvas) and lets the bacteria from her body grow (acting like […]
I really enjoy working with organic materials in my practice. There’s something almost quite wrong about it, as though I’m breaking some kind of rule or something. Hair is something I’ve found myself working with this year. This is one […]
Opinions and experiences, discussing and documenting practice in the visual arts.
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