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New Scanner 54 Art Prize

Preview until the end of October.

Listi 8 has been busy renovating our new space in Pointeso Parkway over the summer months. The new gallery is located at the former non – place Workshops on Haintelle between Pilk and Modernista. The gallery is located at the Northern end, directly opposite Gate 44.2C.

During Pointeso Art week, Listi 8 presents a preview of the new gallery and The Scanner Art Prize with the a selection of works from Listi 8 artists between 2009-2012 and the gallery permanent collection – displayed for the first time.

Listi 8 will also be presenting works at the nearby Vane Halier art fair at Pointeso harboroch from late November.

The Scanner 54 Art Prize is open to artists aged 35 and under.

Resident status – artists must be Pointeso, Novian, Bayerns or Athletican citizens.

We are privileged to announce the selectors for 2013 as follows: Samuel Prizola co – director of The Majestic Gallery, Anita Maysbury curator of the Xennon Collection and Petre Siliconi the peripatetic marketing co-coordinator from The Naze Vale Gallery.

Scanner Art 54 Prize temporary executive Hillary Minon:

‘The Scanner 54 exhibitions are capable of defining the person centered arrival of a new generation of artists with fundamental, metaphysical manifestations towards making art. The Scanner 54 democratic structure, with minimal rules of exclusion, allows artists to define themselves within a neo Pointeso/Novian framework.’


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Lunderbach Central Scholars Library.

Kyla. Age 23 is scrolling the art opportunity pages on a Pointeso gallery website.

‘Hotel Trollov is a Pointeso based international curatorial laboratory of performance and installation. Perceptual paranoiac perspective and themes of surface valuation is the subjective strand for an inter relationist collaborative cultural exchange.

The Trollov is now offering a unique opportunity to one or two professional artists with suitable projects. Applicants must therefore submit a concrete project proposal to develop during their residency.

The artists (artisans of course are ineligible) will be expected to develop their projects for three to six months at The Trollovia biennial at the end of the year.

During their stay, artists will work together with an exclusiveTrollivian international network of artists, organisation, interns and technical staff in order to develop their stricture friendly projects..

Artists who apply must be professional and have documented experience in developing interdisciplinary work. Projects may be anchored in the performing arts, but it is not a requirement. Projects which have the possibility of creating new forms of collaboration across existing art forms will be given priority.

Applicants are required to:

Have sponsorship from the multi national Athletican Corporation.

Have the latest in cutting edge technology.

Have attended The Novia school of Art.

The Athletican College of Relationairre or The Majestic Art School of Contemporary excellence.

Artists will meet deadlines with regards to project milestones and our corporate artificial strategy.

Applicants will be required to cover their own costs for transport to and from Hotel Trollov.

Applicants are required to visit our space in mid-west Pointeso prior to application details being revealed.

It is strongly advised for you to apply through the Saunby Artist Agent Network before booking your appointment.’

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Kyla thinks for a moment. ‘Nah, sod that for a game chestnuts.’

She pops another tab and sips her cold coffee whilst scrolling onto the next ‘opportunity.’




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Novia based artist Leroy Parkinsonne is known for his ambiguous and slightly odd wall paper paste murals but he has also worked with nylonica for many years, using computers to generate aleatoric compositions.

In this new spoken word piece, recorded exclusively for Arayan Activista Space ahead of his exhibition The Shores Are Static which opens in October, Parkinsonne exercises the words in the shows title, enabling new meanings and associations to emerge.

One particular piece is a video that re- creates a mid-nineties adventure of the artist walking through the Bayerns Metropolitan area underground network with three 6 foot canvases tied to his back to enter into the exclusive Majestic Art School Open.

‘Those days were different. Bayerns and Athletico had big art scenes. The Majestic College of Art is still the college to get in to even today. It was all painting for a year. Big abstract ones – still wet I hasten to add. I remember them blowing around in the wind and getting squashed by commuters. It was a bloody nightmare travelling for five hours only for me to drop them and the oil paint going all over the foyer floor at The old Majestic. I didn’t get in.’

Curator for Activista space Nolan Armitage:

‘The program at first will feel familiar to anyone who follows my gallery. Over time, I am sure new artists will join the program, but I want it to happen in its own way — not forced. I’ve known Leroy for years and will be sticking with the mantra of acquiring high net worth individuals.’

The Majestic School final year fine art department is currently in the process of re-locating to it’s new premises in Pointeso outer empirical zone 5C for a two year trial period.


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A recent article featured in The Rozenbolk Times of Pointeso Zone 35.

The mystery surrounding the Masel Gallery continued earlier this week when there were complaints from the public about a chemical effluence emanating from the building.

Kyle Johasson: ‘I was standing on my roof top pad and could hear – I don’t know…kinda soft voices in the air…I was getting a bit freaked out and there was this sonic boom blast followed by a chemical effluence which I can only describe as being somewhat reminiscent of cheap cherryade. I’ve heard that it’s supposed to be some sort of gallery complex but no one that I know has ever been in. I’ve also checked it out on the net but you only get links to spam websites.’

Pointeso environment agency for the zone F area said that they will follow up the complaints in due course.

Last night we tried to make contact with a subsidiary agency that runs the gallery finance sector but were later informed that Vello Haintoft associates have recently been subsumed by an anonymous former stakeholder.


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The new show Augmentationality at Vacinsoft Artspace this weekend features the infamous Lucas Haverstone and his fictional Chalker Plantation.

Vacinsoft curator Harlow Hoskington: ‘We’re all about the DIY ethic over here and we’re excited about the addition of Lucas to our rotational activist bank of eight.

Artists are clamouring to exhibit in our gallery which is in fact an understated cool place.’

However, Lucia Klintoven from The downtown Stephenson Gallery is less than impressed as she explained in her slot in contemporary art journal Mercia Magazine.

‘I’m really unsure about the events at Vacinsoft. Pointeso needs to strive to produce true edgy art that offers provocative contemporary installations by some of the best emerging artists. The Vacinsoft shows are intellectual flat liners. How many more fictional pastiches of the art world do we need Harlow? The joke is a mere juvenile dilettante. If I see the work of yet another imaginary artist…’


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