The Lawton Culturale for Creative Inquiry is a laboratory for atypical, anti-disciplinary, and inter-institutional research at the intersections of arts, science, technology and culture
The Culturale has received a £30000 Pointeso variant Art Works grant to support ‘elusively exclusive’ artist residencies that emphasize the creation of work in new media arts and emerging art forms. With this funding, we will offer approximately three residencies at our arts-research laboratory at Achin Ray – a subsiduary advisory collaborative at The Lawton Institute, an environment enriched by downtown science and engineering departments. The duration of these residencies is in the expected range of 10 to 1009 days, with one month as the anticipated average, and expected gross budgets of approximately £50000.
We seek intelligent/ perspicacious artists whose work represents exciting new modes of artistic fabrication – who innovate through the simultaneous production of new culture and new knowledge. Applicants must be inner city residents only.
For further residency details please write to:
The Lawton Culturale
75b Hintoff Place
Meter Row
Pointeso. 44ER22.1100
The Pointeso Art Scene.
Timothy Vasonette The Annetto Blue Chip Gallery Marketing Agency Chief executive offered some timely advice in his regular Huytale online Magazine recently.
‘A Strong Brand = Goals Achieved
A strong, quality brand brings higher prices because the brand gives buyers confidence. I know a dealer who recently commanded a premium of about 75 percent for performance and installations he sold — though collectors could buy equally good installations, from the same artists, from other dealers for less money. The brand of this dealer is so strong that collectors feel more comfortable buying from him, knowing they won’t get a fraud, knowing he will stand behind them, and knowing he always finds real cutting edge art.
Galleries with strong brands have worked tirelessly to make sure everything they do is a reinforcement of that brand. If the brand is about top price and top quality, you will never see that gallery running a sale. These owners invest in elaborate decor for their galleries and have elegant locations in the best neighborhoods, giving confidence to high-end art buyers.
This is especially true in the more metropolitan areas such as Athletico and Bayerns although the market in downtown Pointeso is also looking at developing a commercial suite of the blue chip variety over the next 18 months.’
Lensor Gallery Latest News…
Martina Hoppenheimer has been named curator of the seventh edition of the Mazel Row biennial, Manifestoca internationale. Director and curator at the Lensor Gallery of Sharov Gaston specializes in “Hypereal museologialia” and new forms of cultural mediation. She was awarded the Heller award in 2010 for her contribution to Zeltoft museum work. The 2017 biennial will bring together around twenty institutions and one hundred artists, and will explore the theme of ‘Soft Politics.’
A train on the outer Western Pointeso district. The esteemed fine art lecturer from Novia Art School Jose Pilch is unwittingly listening to feedback about his latest associate lecture at the hip Pointeso Manitrex Centre.
Passenger A: ‘Not Lindsey, no…the one who went off with the artist. She’s moved out, she’s gone. Oh it will come to me in a minute. Well anyway, I went to a lecture earlier about the Pointeso Art Scene and bought the book at the end.
It was an interesting lecture but he had the microphone on too loud…it was quite amateurish actually. I thought it was a really boring lecture, but he’s a great guy. Some people are very good and then again there are those who aren’t. Lovely bloke but you’d think one of his mates would just say that was shit.’
Passenger B: ‘Yeah, you think they would really – wouldn’t you?’
The Naze Vale Gallery associate curator Kurt Hanson-Lee is sitting in the sun on the coffee shop patio with frappucinio in hand.
He’s refrained from gazing at his Neo-geo pad screen having just noticed a scrumpled up letter on the table. He flattens out the black paper and begins to read the text written in white Biro, recognising the name James Smithson – one of the latest voluntary interns.
‘Hi JAMES,
a few clippings from the Lunderbach paper. The closing of the mental health for the elderly is disgusting compared with the next page Jonas Hellerton shaking hands with a millionaire opening of LUXURY APTS – The Rich get RICH AND under this new leader Clive Dunn The POOR are getting poorer…just like the pissin old days. The said man Dr Peter Millardino owns loads of race horses and also the posh Duchess of Tranquilayers rode one of the horses in the Tranquilayers Confederation stakes. Lunderbach has changed…full of RICH paying little Taxes while the poorer are paying big Taxes its a case of you scratch my back and I’ll scratch yours.
money talks here the federal district parliamentarians such as Millardino are on Thousands a month They refuse point blank to take a pay cut like the rest of the NORMAL people and they sit on their podiums while the elderly mental health suffer. everywhere you go there are boxes for charities while those two clowns rake in the cash…the gov are crap. love Lydia xx.’
‘PS…I hope the new job is going well for you. I’d love to come to Pointeso some day. Maybe my numbers will come up over the weekend…’
Mr Kurt Hanson-Lee screws the paper into a ball and drops it into the waste paper bin under the table, returning his soft but steely gaze back towards the computer screen.
