PLAY opened very well!
I’m really pleased with the opening. It was a lovely afternoon and I’m delighted that so many people came. Everyone enjoyed themselves and I got very good feedback – so it was a success all round!
After being away from London for so long and not attending many friends’ openings I was nervous that I’d dropped off people’s radars – I needn’t have worried. It was good to catch up with people.
On the last day of the show Bryan Mulvihill – will host a ‘tea-party’ in the gallery. Bryan is a good friend of Michael, and I met him two years ago when we were in Norway for Michael’s Golden Rain project. Bryan’s World Tea Party events have been held all over the world in all kinds of venues, I’m looking forward to see how it works with my installation. Bryan and I had a brief conversation and he’s thinking of doing something with “dancing tea” which is a particular kind of Japanese tea with leaves that “dance” in the water – it sounds wonderful …
In the meantime I’ve a week in Stockholm.
web search on World Tea Party
http://www.straight.com/article-288419/vancouver/a…
Installing PLAY at Moca …
I left the gallery this afternoon. I’m really pleased with how it looks.
At 4.9 x 3.7 x 0.2 meters it’s the largest single piece I’ve ever made.
Michael saw it today for the first time – I’m delighted with his reaction – “Great!”
It’s taken almost six days to install it. I wasn’t expecting to take so long but after day one I knew it was going to be a long process. . Unspooling the tape then measuring and cutting it took a surprisingly long time. Hanging and securing the lengths of tape is far quicker. It’s amazing quickly three hours worth of tape can be hung, it’s also amazing how little ‘horizontal space’ it covers.
I’m very grateful that Roberto (Michael’s assistant) helped me with the measuring and cutting.
The repetitiveness of the work gave me a lot of time to think. I found myself thinking around the piece – thinking about how it can be approached from so many different directions: academic, aesthetic, sexual, social.
The piece works well in the gallery – it ‘sits’ very well. I should remember that other installations have been successful too – successful in terms of their relationship to their particular locations. I like making installations, I like placing objects in space, perhaps that’s why I’m a bit uncomfortable calling myself a sculptor (though I’m even more uncomfortable with “installation artist”).
The show is about 95% ready – I have to sort out some lighting. Although one whole wall of the gallery is glass (frosted) if the weather is less than sunny additional lighting is necessary. I also realised that the show closes the first week of October and by then it will be considerably darker by 6pm.
I’m extending a warm invitation to blog readers –
The opening is Sunday 19 September 2-4pm
Moca, 113 Bellenden Road, London SE15 4QY
I’m preparing to return to London and make a new installation for MOCA (London). I’m excited and nervous – this is a big show for me and I want it to be a success for MOCA too. MOCA is Michael Petry’s gallery and project space, he has been running off-site projects for the last few years and my show will be the first gallery show in quite a while. Getting the show has been a great boost to my confidence, I admire and respect Michael’s own work and his curatorial acumen.
The show is an installation made from old vhs gay video tapes. I mean the actual magnetic tape – the wonderfully black shiny stuff inside the cassette boxes. The tape is so reflective that the closer you look the more you see of your own eye – which also means that it’s really difficult to photograph.
My hope is that the piece is both beautiful and thought provoking.
www.mocalondon.co.uk/forthcoming.php
Stockholm Stockholm Stockholm
This fulltime work is very time consuming. Actually this is the first week of a month without paid work. I’m back in Stockholm. This time last year I had just started the WIP residency. What am I doing now?
I have a show in London in September – an installation piece that I need to work towards. More details later.
The two months I had in London passed very quickly. It seems that I am finally making some progress with getting the situation with my replacement windows sorted out. An independent surveyor will inspect the pre-manufactured units and my flat and report whether the windows are suitable or not. If they are suitable they will be installed before winter. It’s good to feel that things are moving forward on that front!
I’m very excited about the show in September – it’s a great opportunity. The show will be a significant step for me … another one. It’s very good to have something to focus on, especially right now when I’m between studios, and between countries.
I’ve really enjoyed spending time in London – it’s been good to catch up with friends. Now I’m here (in Stockholm) I’m getting anxious about how it will be when I move properly. I know it will be fine and that it is the right thing to do … I know that I am already starting to see London with the rose-tinted spectacles … anxious is OK. A good friend forwarded advice she received from a friend –don’t say “frightened” say “excited”.
Yes I’m very excited about moving to Stockholm!!!
Back in London for three weeks now – the time has gone very fast.
I had very good feedback from Charlie at Charlie Dutton Gallery. Although there was a lot of interest in Tender it didn’t result in a sale. I should have been at the opening, and around after … In future I must make sure that I’m in a position (financially and geographically) to attend openings. One of the things I enjoy about the openings in Stockholm is how keen the gallerists and/or curators are to introduce people to the artist(s).
It’s been good to catch up with people in person – keeping in contact with email and facebook just isn’t the same. I’ve become more relaxed and confident during my time away from the London scene, and this makes it far easier for me to deal with situations that I used to make me anxious. I’m not talking about anything major, but perhaps some of that Scandinavian attitude has rubbed off on me.
The weekend at Dartington was great! We (the three friends I went with and I) got on very well – amazing to think it must be about 12 years since we were all together. In many ways we haven’t changed – just matured! There were a few other Art & Social Context students from other years but not many. It was good to see our tutors again – even if it took them a while to remember us. Listening to Lyd, Bridgit and Louise made me realise how particular my experience of college was – I’m convinced that going to Dartington saved my life – in one way or another. I loved being there – it was a perfect place for me.
A friend has offered me the use of her studio while she’s away. I need to make a decision about it – it would be good to have a studio but it would take over an hour to get there from here, and I really should be concentrating on getting my flat ready for sale ….
