More interest in the Offcutter – though I’ve confused myself by giving it different names such as Real/Non-Real (basic and explicit), Luddvision (when I was into the black & white aspect and technical simplicity). Hoping to take it to Manchester, I get it set up in the studio, then compelled through 4am angst to drag back the images through the ether to improve on them.
In a way that proves how useful is the process of taking my cue for the next move in the work from the work itself. Also I’ve had some crisp comments about my standards of workmanship, so had to check it didn’t look more wavy and wobbly than need be.
As part of the fun IS the seizing of stray bits of cardboard/tissue/cobweb to chuck into the mix, I must be simultaneously polished yet raw.
