Smacking things together for an Offcutter session is an antidote to the laborious process I usually go through when making sculpture. It’s fast and exciting and though the starting point may be some particular object I often chuck in oddments or scraps of things that have been fermenting in the general mulch of the studio.
I’m trying to formulate a general-purpose statement about it that sounds down-to-earth but with an overtone of erudition, accurate yet obliquely self-aggrandising.
Also I don’t like the idea of turning into A Photographer – the expense! the need for quality! on the other hand another winter in the studio endlessly sanding MDF or wringing out PVA-soaked cloth is grim.
Slides!!??
