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(continued from the last post)

The lights in the gallery was something was worrying me for most of the week, but when I came back to the gallery on Saturday afternoon, it was much better, as some of the strip lights were turned off.

Overall I was happy with my week. I was happy with the ambitious work that I had produced in a short space of time. The scale worked well and the feeling of the work was satisfying. This was the first work I had made where the viewer could enter the structure. There was a different experience for the viewers when viewed inside, from afar or under that leaning wall. This was the largest piece of work that I have ever made, and I am wondering where to go next. Right now I am feeling more positive about my work, and feel as if I have taken a small step towards something.

I am now back in the studio preparing more canvases, but this experience has reminded me how much I like making the big structural work. Time to work towards the next opportunity, whatever that may be!

The exhibition still runs for a few more days. Thursday – Saturday this week 12pm – 5pm, so if you happen to be in the area, go and check it out!

There are some more details about the exhibition here – http://www.cuspsite.co.uk/situationintervention.html


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It’s been a really tiring couple of weeks. Leicester was a good experience though. It was good to be able to make a large piece of work again.

The biggest challenge was probably scale. The space was huge, and my work had to have some kind of response to this. After the first day, I had built up a wooden frame – around the size of my last tower peice from March, and this just looked lost in the space. I could have made a series of towers in this scale, which would have been interesting, having the viewer navigate around them, but I’ll save that idea for a future project.

The second day was spent making the tower bigger, and making it look more reminiscent of my source material – the collapsing building. I was also making cement drawings that would become part of the work. Once I had the corner of the structure standing, it was a case of adding bits to extend the walls. I was a also using scaffolding for the first time. It’s an important part of my work that things look precarious, and making work that looks as if it could fall down is important with regards to my ideas, but this is a big challenge. The whole structure was swaying and lots of bits had to be taken away and extra support pieces had to be added. I was purposesly using butt joints when attaching the wood to add to the precariousness. It was difficult, but aesthetically it was the way to go. This structure was supposed to look as if it was built in a frenzy of panic, in an emergency, during some kind of ‘event’. All the evidence that would be left would be this structure.

After some technical assistance, we got the tower standing and stable. It was a frustrating day and it was one of those times when you just want to give up and go back home. Instead, I went back to my temporary accomodation, ate a microwave meal and watched an episode of Star Trek. Rock n’ Roll.

By now, it was Friday, and only a day and a half until the opening. It was a successful 11 hour day of building and getting bruised though. I even had enough time to treat myself to a proper lunch at Urban Pie. Mmm. I spent the best part of the day tweaking the look of the main piece. Moving the srawings around and moving the structure to the correct angle with regards to the other work in the space.

The main feature of this piece was a leaning/collapsing wall. I had struggled all week to work out how I was going to realise this idea. I deciced to make a cube structure, that also looked as if it could have falled from the main structure – this was placed on the floor alongside the main structure, and would also serve as a support for the leaning wall. By the end of the Friday, this leaning wall was still very dodgy and needed an extra support. I had also taken down all the drawing parts of the tower as I wanted to make them double sided. It was a late night in the gallery.

I got in to the gallery early on Saturday to finish everything up in advance of the 6pm opening. I clambered onto the scaffolding and hung the newly double sided drawings. They looked much stronger this way, and more of an object as they were doublesided. They could almost hang alone in the space, and this has opened up further ideas for the future. It required some tinkering and moving about, at one point a darwing was hung within the structure, but this felt wrong and was later moved to one of the ‘walls’. The leaning wall was also completed. It required some careful strengethening in order for me to lose the temporary support. Once it was free-standing, the whole leaning wall got a coat of cement paint and was left to dry to a nice ghostly like finish. The whole work was then moved around several times until I was happy with the positioning.


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I arrived in Leicester yesterday, and today is day 1 of installing and making my work. It’s a little bit like a 4 day micro residency with a private view on the 5th day. The space is huge, so my idea that I talked about in the last post should work well.

I’ve got more-or-less total freedom, so it’s a great opportunity for me to make something big and to enjoy the space.

I’ll keep posting on here throughout the week as my work develops.


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I’ve spent the last few weeks preparing new work for my next exhibition.

Here are the details of the show:

Situation/Intervention: Construct/De-construct. An exhibition that directly addresses and celebrates the building in which it is housed, examining the relationship between content and environment. CUSP is proud to present new work by Ludmila Bebjakova, Ian Maslen and Patrick Mifsud.

Two Queens Gallery, Two Queen Street, Leicester LE1 1QW

Private view/opening night 6-9pm Saturday 11th August

Exhibition runs until the 25th August.

I have decided to focus on making one piece of work, inspired by an image I found on the web of a building that was destroyed when a dam collapsed. I was attracted to this image due to the semi-collapsed side wall that is leaning over. As soon as I saw it, I knew that I wanted to make a piece of work based around it. You can see the image here

http://www.worldarchitecturenews.com/index.php?fuseaction=wanappln.showprojectbigimages&img=5&pro_id=10198

I will be constructing the work in the space, and I will allow things to change and to an extent, go wrong during this process. It is my hope that it will look like a cross between the work I made last Summer, and the image of the dam ravaged building.

Between now and the 6th of August, when I get access to the space, it will be a case of making drawings, measurements and models to develop this idea. Although it can always completely turn on it’s head during the actual making process.

I have been building small cardboard structures to get idea in 3D what things may look like. I think really for this, I need to start using different materials, namely balsa wood and strip wood. This is an area that I feel I should concentrate on developing, especially for making proposals. Making small scale tower structures and photographing them also seems like a good route to take.


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Settled In

It’s been over a month since my last post. In that time, although I have been beginning to make new work, I decided to slow down a little in order to fully settle back into to life in London. It has now been (only) 3 months since I moved back, and I was trying to do everything all at once, with moving into a new flat, starting a new job, getting a new studio. I didn’t really give myself anytime to settle and it burned me out a little.

In that sense, it does seem as if I have been back here for a lot longer, so I guess I am feeling quite settled now.

The studio looks great, and is now a joy to spend time in. It is more spacious than the old studios that I used to rent outside of London and the window and natural light makes a massive difference. I’ve noticed as I am beginning to make new work that I feel more confident, it doesn’t matter what I do, as long as I stay true to my ideas.

So far I have been working on a new series of paintings, that I have given a working title of ‘Dead Landscapes’. It’s all in the early stages. They are a direct response to my sculptural/installation work. I am painting in a different way to how I used to. They are smaller for a start and have a calmess to them. It’s too early for me to post images of them yet, but it is so nice to be painting again.

I am also working towards my next show, at Cusp Art Gallery in Leicester in August. It is quite a big space, so calls for something with a bit of scale. The exhibition is all about dystopia and architecture and there is just three of us, including Patrick Mifsud who I have worked with before, so I am confident that it will be a successful exhibition. My ideas so far, which have come about after making some of those paintings, centre around a ruined structure. I am now frantically thinking about materials. There will be more about this in a future post.

It’s now been six months since I started this blog. I have to a certain extent began to rebuild my practice. I guess that was the easy bit. I now need to re-focus my practice and prioritise my practice.


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