Can generosity be a reciprocal practice?

Artist interview with Kate Murdoch (part one)

Kate Murdoch is a London based artist whose work reflects a fascination with the passage of time and the contrast between the permanence of objects and the fragility of human existence.
Her participatory project 10×10 was originally created in response to a call for art around the theme of trade and currency for the tenth anniversary of Deptford X in 2008, and has since been recreated for Lewisham College, Herne Bay Museum & Gallery Whitstable 2010 Biennale Satelite Programme and more recently, for Coastal Currents in Hastings. 10 x 10 is an everchanging display of 100 objects. Wherever it goes, people are asked to take one item and leave something in its place.

The only rules are:

• One swap per person

• The item must fit in the display space (14.5cm x 14.5cm)
10 x 10 asks:
What is an object worth to you?
How much do you want it and what are you prepared to give in return?

JM: 10×10 structured around a swap: people are invited to take an object but are asked to give one in return. You talk about the inspiration behind 10×10 coming from North American pack rats which leave objects behind in place of things that they take. Have you always been interested in ideas of exchange/reciprocity?
KM: Yes, I have. It’s always been around me I suppose, that idea of reciprocal gift giving and exchange. On our frequent returns from family visits in Scotland, for example our family car would be filled to the brim with coal and briquettes from the local mines, while we’d take up sacks of root vegetables from the local farm which were harder to find in Scottish villages in the 1960s.
I was brought up in a small Cambridgeshire village where daily exchanges of exchange and reciprocity went on. The local farmer for example once brought a brace of pheasants to our home, I remember as a thanks for my family helping out with the difficult breech birth of a calf.
It was from 1987 onwards that my interest in the idea of exchange really started to develop. I saw how successful it was during the time I lived in Ithaca, a small town in upper New York state. A green dollar system, which was basically a means of exchanging skills without using money, originated and developed there and went onto be very successful. I worked for a short time in Ithaca’s Self-Reliance Centre, helping to match up the skills which were offered. A carpenter then, might offer 10 hours work in exchange for 10 hours of child care, a masseuse might take up the offer of exchanging eight one hour massage sessions say for an equivalent exchange of language classes. It was a real success and had a huge positive impact on creating a solid local community.

JM: What were your aims when you first did the project in 2008 at Deptford X art festival? How did you envisage people would engage with the project?
KM: I had no agenda and had no idea how people would respond. I was slightly anxious but also very intrigued. Would it be people’s generosity or meanness that triumphed when it came to the value of the things that were exchanged is one of the leading questions I ask. There’s no doubt that my fundamental belief that people are generally good, fair and have an innate sense of what constitutes appropriate, decent behaviour helped me dare give up the 100 objects in the first place. I keep going back to my friend’s response to what 10×10 would be about after I’d talked him through my initial proposal: ‘It will be a comment on humanity.’ I anticipated that people would interact with 10×10 with a generous spirit and with one or two exceptions, that’s exactly how they have.


The rest of this interview will be published in this blog tomorrow.

To find out more about 10×10, visit Kate’s website at http://www.katemurdochartist.com/ten_by_ten.html

Kate’s a-n blog, ‘Keeping it Going’ can be found at www.a-n.co.uk/p/2295372

This interview is published in full in Issue 1 of my new zine series ‘Reciprocity’ which documents, alongside with this blog, my research findings into ideas of generosity, sincerity and gift. For more information and to purchase the zine for £3 plus postage, visit http://jeanmcewan.com/2012/11/05/reciprocity-1/








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HASHTAG GENEROSITY

A Twitter curation

On the morning of Monday 29th October, I did a general search in Twitter under ‘generosity’. I was struck by how people interpreted and used ideas of generosity to communicate on Twitter.

I selected 10 tweets and re-tweeted them throughout the course of that day.

Jean McEwan https://twitter.com/jeanmcewan @jeanmcewan
‘Hashtag Generosity’: what follows is a selection of tweets, retweeted using #generosity – part of a research project http://bit.ly/SSEacG

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Mahmood Abdulmalik ‏ @abbanbarade77
Real generosity is doing something nice for someone who will never find out.

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Ali Ketelaar ‏@alijava_addict
power: Use selective honesty and generosity to disarm your victim.

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Hason Sazon ‏@HoLyJaE
I appreciate any generosity towards me

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sasha-lee ‏@sashy_pooh0603
Dnt mistake my kindness nd generosity to others as being fake I just wna ba at peace with everybody and in anyway who likes uptight people?

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St George’s Holborn ‏@stgholborn
7.00am & 5.00pm prayer mtgs tmw at StG ahead of Gift Day. Come & pray for God’s generosity to be released on us, and through us to Holborn.

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Bridge Zambia ‏@bridgezambia
@pencilcasestudi That’s a good direction to profitability. Generosity usually attracts more. It makes people talk good about you.

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Ethan Matisa ‏@ematisa
The self-sacrificing generosity of the tragic heroine. Yes, I will make sure I write your character well.

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Erick Baltazar ‏@erick_baltazar
There is someone out there that deserves my generosity my roses my poems my love songs my attention and dedication

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Non-Duality America ‏@NonDualityUSA
“The energies that keep us alive are joy, generosity, compassion, curiosity, truthfulness, serenity, equanimity, wakefulness…” ~J.Engler

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Angela Moikeenah ‏@GelaMoiks I have to remember that not all generosity is as generous as it seems to be! Once u accept it u end up paying for it in more ways than one!

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Art as gift: some quotes

“That art that matters to us – which moves the heart, or revives the soul, or delights the senses, or offers courage for living, however we choose to describe the experience – that work is received by us as a gift is received”
Lewis Hyde “The Gift: How The Creative Spirit Transforms The World”

“When it comes to being influenced by the work of others, on experiences, maybe only five or six times during a lifetime, the incredible feeling that illuminates and enlightens your own existence. It might happen while reading a text, listening to a piece of music, watching a film, or looking at a painting.. and sometimes – even if centuries are being bridged – you find a brother and instantly know that you are no longer alone” Werner Herzog

“Always, after even half an hour in the presence of a painting or two by Prunella, your consciousness seems suddenly attuned to certain realities which immediately become overwhelmingly visually available to you as you walk away down the pavement – any pavement. The gritty greys of West London brickwork; the rectilinear grid of the mortar separating each brick … the regular rows of punched-out holes in an old metal grille at your feet; the sudden surprisingly organic irregularity of seven blades of grass erupting in the crack between two paving stones…” Patrick Heron

“…when I got into making stacks…I wanted to do a show that would disappear completely. It had a lot to do with disappearance and learning. It was also about trying to be a threat to the art-marketing system, and also, to be really honest, it was about being generous to a certain extent. I wanted people to have my work. The fact that someone could just come and take my work and carry it with them was very exciting” Felix Gonzalez-Torres

“We all suffer alone in the real world; true empathy’s impossible. But if a piece of fiction can allow us imaginatively to identify with a character’s pain, we might then also more easily conceive of others identifying with our own. This is nourishing, redemptive; we become less alone inside ” David Foster Wallace


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Dear fellow artists

Do you have an experience you would like to relate about a good, or bad experience of giving? As part of my research explorations on gift, sincerity and generosity I’m collecting stories from people about their best, and worst experiences of giving.

The stories can be about giving, or gift, in it’s widest sense. All stories will be collected and published as part of a zine documenting my research. Contributions can be published anonymously. All contributors will receive a free copy of the zine as a thanks.

Post your story as a comment here, or email it to me at [email protected], indicating whether you would like your story to be published anonymously or not, and include an address to send a zine to.

Many thanks for your time and attention

Love

Jean


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