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This morning and late afternoon has been occupied with drawing. I am getting up earlier as often there are artists visiting, or surprise events, so I need to fit in work in late morning and afternoon, and evening.

This afternoon we went to a talk by signologist Christopher Connery, who is from the USA, but on secondment to a university in Shanghai delivering a programme (in English) to American students on his research into Asian Studies. The panel discussion with him and other activists/ researchers, focused on in-habitation of urban space, and issues arising from vastly urbanised space with little physical room for reflection. The talk was delivered in Mandarin, so YanYan translated, with the help of ChuChu’s electronic dictionary. However, the ideas were complex, and hard to translate so I found myself a little in the dark. However, it is clear that the quickly changing urban environment is a collective problem, with many complex influences, and at the same time the potential for change comes from the government – society has ‘their hands tied’.

There was much discourse at the panel however, after which we went to the HuangJePing Teahouse. This was my first time, and it was full of men playing cards and enjoying themselves. YanYan and I got onto the topic of the position of the female in Chinese Society. One of my main problems when living in Japan was the viewpoint of the female, inequality with men, and the females lack of acknowledgement of this and subserviant nature. This leads to confrontations and conflicts with male peers in the workplace that were rude to me which I challenged by calling meetings to discuss (very unusual there) and the situation after was more respectful. The body language and surface behaviour of Chinese females I have met yet does not majorly demonstrate this subserviant nature, but my discussions with YanYan explained that there is still not been any female liberation and lack of knowledge of ‘feminism’, and females have lower social status than men although this is changing very very slowly.

I talked to Christopher and Diego (an Italian Signologist on the panel who also speaks excellent Mandarin) and they gave me some interesting researchers to look into.

I squeezed in some drawing late afternoon, and this evening I had a studio visit from Wan Jung and his girlfriend. She speaks a little English, but much more French, so I pulled out my five years of French study and it all came back after some rusty starts. How funny to be chatting French in a coffee bar in the South West of China!

I have nearly finished my first print, I have still to add some 3D parts to it.


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Friday 17th June

I have been catching up on drawing the morning, and starting to develop some of the prints. This afternoon YanYan and I went to the opening of the Dandelion exhibition at the Paradise Walk in JeFangBe, that was set up by the British Council. There was very much pomp and ceremony, but the Dandelion (a very interesting sculpture/installation/architectural structure at the Shanghai expo 2010) looks such an interesting work. Also, of course it was great for me to meet up with some British people working at the council, some other foreign artists and creatives in Chongqing. We also went for dinner hosted by Virgin Atlantic at a very posh resort called Tienda. We were hosted at a french restaurant called BonBon, so I had some western food for the first time, and a toilet with a seat on it! Ah the simple things in life!

I also met a British artist Oliver Gosling who is based in Chongqing – I am going to go to his studio on Sunday.


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Phew! It has been another busy day, and two long traffic jammed bus rides to and from the SFAI new campus, although admittedly I fell asleep on both the way there and back. I have not yet had a bus journey Chongqing where I have not nodded off – it must be the combination of the heat and purring engine.

This morning Jessica took me to the Masters Printmaking studio where I could print my woodblocks. Two English speaking Masters students helped with with the equipment. It was a shame that their press was broken so we had to burnish by hand with spoons, and took a lot longer, and several times the paper moved so we had to start again. The paper I had been advised to use what not the best, and also the board was not so strong, so we had some difficulties with printing, and in the end an MA student gave me some paper to achieve a better print. Due to doing by hand the paper has picked up a lot of extra marks, and even though I am going to work onto them further, I am not as happy I had hoped I would be with them. I am thinking about doing another one, but I really need to move onto an installation.

It was really interesting to watch their approach to printmaking, and the department, including the office were very, very welcoming to me. I will have to give them a special thank you.

I also visited the Sculpture graduate exhibition, the New Media graduate exhibition, and an exhibition by the second year students (which one of YanYan’s students, Shu Wen is in). There is always so much to see and do.

I am starting to become aware that I will really miss it here when I leave. It is fantastic to have all day, every day to focus on work. Despite communication difficulties at times, it is a productive time for me. China has been both what I expected and not what I expected. I have travelled a lot in Asia, as well as living in Japan for 18 months, so I had anticipated life slowed down to miscommunication, and the feelings of being the show pony spotted in the supermarket for a photograph (which I was very tired of by the end of my time in Japan). But I don’t mind it so much as the attention will only be for the next few weeks, and the Chinese I have met although interested in foreigners, are more nonchalant than the Japanese. My experiences living here is of a more relaxed society, but unfortunately, hygiene is questionable at times!

I am going to continue developing the prints tommorow…..


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