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Heather Rogers’ book Gone Tomorrow: The Hidden Life of Garbage follows up and expands on the short film of the same title she made in 2005:

Gone Tomorrow: The Hidden Life of Garbage (2005) 19:13

Synposis: This is a short 19-minute documentary about recycling and waste in the U.S. Base on the book of the same name by Heather Rogers. The film has great facts and funny archive, it exposes the often magical (but false) feeling we get from ‘helping the earth’ by ‘recycling’ It also points out the real problems, over production and industrial pollution. Plus it explains corporate greenwashing and our economic system of ‘built-in obsolescence’.

http://video.google.com/videoplay?docid=5934530156…


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Currently reading: Heather Rogers – Gone Tomorrow: The Hdden Life of Garbage (2005) The New Press, New York

Gone Tomorrow takes us on an oddly fascinating tour through the underworld of garbage and brings meaning to all that gets discarded. Part exposé, part social commentary, Gone Tomorrow traces the connection between modern industrial production, consumer culture, and our disposable lifestyle.

The Introduction poetically defines rubbish:

p.3 Garbage is the text in which abundance is overwritten by decay and filth. Rubbish is also a border separating the clean and useful from the unclean and dangerous. And trash is the visible interface between everyday life and the deep, often abstract terrors of ecological crisis.

Chapter 1: The Waste Stream takes the reader through the waste process beginning with the collection:

p.12 Since collection is the most expensive part of the refuse treatment process, condensing the stuff makes for more efficient use of valuable hauling space, but also means that potentially reusable objects are often immediately destroyed and rendered unsalvageable.

p.26 The more efficient, the more “environmentally responsible” the [waste treatment] operation, the more the repressed question pushes to the surface: What if we didn’t have so much trash to get rid of?

Chapter 2: Rubbish Past outlines the 18th/19th Century history of waste when manufactured goods were expensive and hard to come by. The majority of waste was organic matter that was used for agricultural fertiliser collected from cities and sold to farmers.

p.31 Garbage as we know it is a relatively new invention predicated on the monumental technological and social changes wrought by industrialization.

p.32 It was the treatment of dung and feces that the first systematic refuse collection developed.

p.34 So valuable had excrement become [in the 19th Century] that one Brooklyn, New York, farmer stipulated in his will that his son should inherit “all manure on the farm at the time of my decease.”

p.34 As the 19th Century wore on, all variety of rejectamenta, including human feces, known among professionals as “night soil” became commodities to be bought and sold.

On the industrialisation of New York:

p.50 These new wage-earning city dwellers [in 1900s New York] were more likely to purchase – rather than produce their own – milk, bread, clothing and other staples of daily life. Due to long hours on the job, industrial labourers had less time for repairing and rendering what would otherwise be “waste” … Such changes meant more garbage. Industry developed, consumerism began, and so too did modern waste.

Defining New York rubbish at the turn of the 20th Century:

p.56 In 1910 pioneer sanitarian William F. Morse wrote: “The household is required to have three receptacles, for garbage, ashes and rubbish.” At the time “garbage” was often defined as “vegetable matter and table waste” and “ashes” could include “floor sweepings, broken glass, discarded kitchen waste, tin cans and worn-out furniture” and “rubbish” usually referred to “paper, card-board, shoes and rubbers.”


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Currently Reading: Mongo: Adventures in Trash by Ted Botha (2004) Bloomsbury

“Journalist Ted Botha became obsessed with mongo (defined as any discarded object that is retrieved) when he moved to New York. Decorating his apartment with the furniture and objects he found on Manhattan’s streets, he soon realized he wasn’t the only person finding things of value in the garbage, and he began meeting all kinds of collectors. Mongo is Botha’s remarkable record of his travels among these varied and eccentric people-an appropriately addictive tribute to this longtime, universal phenomenon.”

Mongo n. 1 [1970s +] (US) an idiot. 2 [1980s +] (Us, New York) any discard object that is retrieved. 3 [1980s +] (US, New York) a scrap-metal scavenger – The Cassell Dictionary of Slang (as published in Botha’s book).

Botha has sought out, met and investigated, interviewed and subsequently written about the mongo collectors of New York. Each chapter is a category or grouping of approaches and purposes of mongo finding, collecting, hoarding, dealing:

> The Pack Rats

> The Survivalists

> The Treasure Hunter

> The Anarchists

> The Visionaires

> The Dealer

> The Voyeur

> The Archaeologists

> The Preservationists

> The Cowboy

Selected phrases and quotes from this book:

p.20: Walter Benjamin once wrote that “for a true collector the whole background of an item adds up to a magic encyclopedia whose quintessence is the fate of his object.”

p.144 [on Steven Dixon seeking out and dealing in discarded books]: What is value? For Billy Jarecki it’s something you impose. Value is personal judgement and has little to do with the object’s origin.

p.170 [on the relationship between psychosis and collecting]: The psychology of collecting is a little studied field, and even Freud, who himself collected art, stayed away from it.

p.197 “The difference between [privy] diggers and collectors [is that] we do this to uncover the past. Collectors do it to possess the past.”

p.204 [on the development of painting restoration machine] The Conservator has already been used on a Titian, a Caravaggio, the gates of Paradise at the Duomo, and Giotto’s Crucifix. Before them all, though, it was tested on a naval scene plucked out of the garbage on the Upper East Side of New York.


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Trash Conference 2012

University of Sussex

Friday 14 September 2012

I saw the call for papers and art/video works for this upcoming Trash Conference in Brighton and had to put in a proposal. I’m delighted they have accepted my proposal and I’m going to be attending for both the pre-conference events on the evening of Thursday 13 September and presenting at the conference.

Trash operates as a physical and symbolic manifestation of consumer society and its associated debris; it celebrates the filthy, excessive and grotesque; and it expresses how power communicates and classifies abject bodies. It not only describes the devaluation of trash culture, but it also refers to the material practices and processes through which we deal with ‘waste’ in all its forms.

In this one day postgraduate conference we propose to rummage through the trash heap of history, art, media, culture, politics, and society in order to uncover new scholarly approaches and methods that continue to appropriate and recycle theories of trash.

http://sussextrashconference.wordpress.com/

Some logistics and travel to sort out (plane or train??) as well of my presentation of course but needless to say I’m really excited to be going and immersing myself in postgraduate trash.


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Pecha Kucha Night Wakefield Vol 6: Prized Posessions

Thursday 12th July 2012

The Hepworth, Wakefield

I’ve been invited to curate a year of quarterly PKN events at The Hepworth Gallery in Wakefield in collaboration with The Arthouse. PKN is an event composed of 20×20 format presentations originating in Japan in 2003, Pecha Kucha translating as “chit-chat.” Each speaker presents 20 slides for exactly 20 seconds each in a short and quick-fire presentation.

http://www.pecha-kucha.org/

http://www.the-arthouse.org.uk/

http://www.hepworthwakefield.org/

I themed the first event on prized possession, intrinsically linked to and possibly the antithesis to rubbish, and put a call out for presentations:

In the spectacular setting of the Hepworth Wakefield amidst prized collections of major modern and contemporary artists, and on the cusp of Olympic medal winning in London, we want to celebrate the personally important things we each hold in high regard. From favourite pens, personal mementos and badge collections to favourite albums and material obsessions – we want to hear all about yours and the nation’s prized possessions. We are celebrating the materiality of life from the seemingly mundane to popular culture. Whatever is special and personally or collectively prized – we want to indulge in these passions.

The following were selected from an open call and presented their diverse ideas, projects, obsessions: Paula Chambers, Dave Charlesworth, Anne Cunningham, Jill Green, Lesley Guy, Vanessa Haley, Jessica Longmore, Phil Moody and Sally Sallett.

Crofton Silver Band also performed 2 pieces on their prized possessions. http://www.croftonsilverband.org/

Lesley Guy wrote a piece for Corridor8 on the event with photos from Julian Lister: http://www.corridor8.co.uk/blog/pecha-kucha-night-…

The next event PKN Wakefield Vol 7 is scheduled for Thursday 18th October 2012 and probably won’t be rubbish-related this time, but Vol 8 or 9 may well be!


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