Transfuse: three weeks of sculpture at The Great Medical Disaster.

Transfuse: Three weeks of sculpture is the first opportunity I will have to start practically grappling with some ideas generated by my research so far, particularly in terms of the role of found/acquired materials in my work to date and their combination with newly fabricated elements/materials. I will be in good company chewing this matter over, along with the overlapping interests of artists Paul Bramley, Polly du Cros and Alyson Olson who will also be taking part in the short residency/exhibition.

Vital info/Press release:

TRANSFUSE: Three weeks of sculpture at The Great Medical Disaster

Paul Bramley
Nicola Ellis
Alyson Olson
Polly du Cros

20/09/17 – 11/10/17

Four artists will take up residence at The Great Medical Disaster to make sculpture in response to the internal architecture of the space.

Developing a dialogue between each practice, they will discuss mutual motivations of process, materiality, Arte Povera and the Baroque.

You are welcome to view and discuss the works at the open event on 05/10/17 6.30 – 9.30pm or by appointment until 11/10/17.

New Art Spaces
Castlefield Gallery’s New Art Spaces (NAS) is an initiative to create dynamic project spaces for artists, artist collectives and artist development agencies. Making use of temporary vacant retail, office and light industrial units, NAS provides opportunities for emerging creatives to incubate their practices, produce work and showcase new art to local communities. Currently CG runs New Art Spaces in Bolton, Leigh and Manchester City Centre.

Transfuse: three weeks of sculpture at The Great Medical Disaster is associated with Sculpture: a fabrication, Nicola Ellis’ current ACE funded research and development project produced by Mark Devereux Projects. For more information about the project, please follow the link below:

http://www.markdevereuxprojects.com/portfolio_page/nicola-ellis-sculpture-a-fabrication/

Nicola Ellis

Nicola Ellis is a British visual artist based in Manchester, who explores the question of who values what—and why—in different contexts. Her work examines how information, tradition, and legacy are passed on and translated through materials, systems, and the people who work within them. Ellis works with materials sourced from places of industry, scientific research, and public institutions; therefore, her sculptures, drawings, and digital artworks often intercept and expand existing material cycles. Her work simultaneously celebrates the connections and distinctions between different contexts at specific points in time. Since 2018, Ellis has developed a long-term relationship with Ritherdon & Co. Ltd, a manufacturer of steel enclosures based in Darwen, Lancashire. The success of this residency led to the two-year Arts Council England-funded placement “Return to Ritherdon,” which resulted in an unprecedented invitation to remain in residence indefinitely. Ellis will continue to observe, participate in, and occasionally disrupt the ecosystem of the factory while working alongside—and in collaboration with—the Ritherdon workforce. Ellis is a member of Para-lab Manchester, a group of artists and material scientists interested in cooperation and collaboration, based in Greater Manchester and Yorkshire. She is also a member of Incidental Unit, the current iteration of the Artist Placement Group. The Incidental Unit draws out key ideas, methods, processes, and rationales for maintaining the independent and critical work of artists and curators, connecting the historical legacy of APG with the complex nature of social practice today. Incidental Unit In recent years, Ellis’s work has been acquired by private and national public collections, including the Government Art Collection and the Arts Council Collection. She is the recipient of a Henry Moore Foundation Artist Award, a Henry Moore Artist Research Fellowship, and several Arts Council England grants to support the development of her work. Most recently, Ellis was awarded Horizon Europe funding by Better Factory to participate in an eighteen-month “Knowledge Transfer Experiment” in collaboration with Ritherdon & Co. Ltd and technology provider Digiotouch. This project developed new technology and infrastructure to support the integration of robotics into a small factory floor, reduce waste, and expand the Ritherdon product portfolio to achieve lot-size-one production of bespoke powder coating finishes.

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