My focus is absolutely on preparing for the exhibition at R-Space Gallery, but inspired by Sonia Boué I thought I’d give you a visual post – a sequence of my last seven artlings, featuring old things, new things, borrowed and blue things, made, acquired, refashioned things, assembled and reassembled, always in process.
You can follow my narrative threads on twitter under #artling @marjojo2004
I studied Critical Fine Art Practice at Central St. Martins School of Art & Design in London. During the last ten years much of my art has touched on childhood, on growing up and its anxieties. It is as much an exploration of memory as of physical experience. Not necessarily concrete memories, more moods and atmospheres, interwoven with elements from myths and fairy tales. // Crochet allows me to frame childhood memory in a very direct, tangible way. The quaintness of crochet, its look and sensory qualities, make a direct link to a lived (and imagined) past. My outfits skirt the border of reality as a way of thinking about bodies, bodies that buckle under the strain of difference, and draw their lifeblood from it. // At the moment my work is concerned with inherited memory and how it affects us. This shift of focus comes with a widening of scope and media (from photography, collage, assemblage, stitching, crochet, to thread drawings, creation of heirlooms, etc.) through which I hope to expand and strengthen my visual language. My art-practice has become inseparable from my writing: here I chart my processes, which in turn feeds back into the work.