Socially Engaged Adventures blog maps the journey of co-mentoring between Ruthie Ford & Ania Bas. Since 2011 Ruthie & Ania have been exploring socially engaged issues, language and practice whilst visiting artists, arts projects and arts organisations working in the field across the UK.
Co-mentoring is supported by Yorkshire Artspace, Sheffield.
The Walking Reading Group on Participation, May 2013, London
http://www.aniabas.blogspot.co.uk/2013/04/the-walk…
Tue 21st May and Wed 22nd May (6:00 – 9:00 pm on both days)
meeting point: Gasworks, 155 Vauxhall Street, London SE11 5RH
Tue 28th May and Wed 29th May (6:00 – 9:00 pm on both days)
meeting point: The Showroom, 63 Penfold Street, London NW8 8PQ
The group offers a chance to discuss the issues surrounding participation, engagement, collaboration, and social practice through a dynamic walking reading group.
For each session some texts will be set in advance and will form the backbone of the exchange. We will depart from a venue and walk for up to an hour, swapping conversations and partners several times. A part from the discussed texts and personal experiences, art projects related to the area will form our dialogues. The selection of texts and the applied dynamic methodology is an attempt to view beyond the binary logic of Socially Engaged Art practices, which often oppose participation to exclusion, nature to culture, thus subject to object.
The Walking Reading Group on Participation is free. Facilitated by Ania Bas and Simone Mair
To book your place and receive the copies of the text contact aniabas{at)gmail{dot}com or monemair{at)gmail{dot}com
The Walking Reading Group on Participation, May 2013, London
E-Publication with texts developed during co-writing sessions as part of I am not sitting at the front event in Cardiff in April 2013 is now on line! Enjoy!
http://issuu.com/aniabas/docs/i_am_not_sitting_at_…
Intercourse is a project curated by Elbow Room, which investigates participatory practice.
Intercourse was first presented at Experimentica 1.1 festival in Chapter Arts Centre, Cardiff in 2011. It was a pilot project, which aimed to explore public engagement, investigate human interaction and the ethics of public and private observation. The structure consisted of a private room, in which audio and visual recording equipment had been set up, with a live feed into the cafe bar area. Members of the public were invited to experience the room with a friend, colleague, relative or stranger for a period of 10 minutes. The couples were isolated in the room and invited to carry out their own actions/interactions.
The intention was that Intercourse would be an ongoing discussion with the outcomes and conversations generated by its presentation informing a future programme of events, artworks and dialogues.
We have now initiated a second phase, to further develop Intercourse as a series of events in creative partnership with venues, organisations and artists. Through these we wish to explore in more detail the nature of participation, shared experience and interactive engagement. This will happen mainly through the process and realisation of projects by artists and artist groups who have public participation, engagement and interaction at the core of their practice. The project artists are Ania Bas, Freya Dooley, Tiff Oben and artist group B.R.G.
We are not pre-empting the outcomes or engagements of the artists but Elbow Room is interested in the broad consideration of questions such as:
· Is there any intrinsic value of public engagement with visual art projects?
· What makes artists want to engage with their audience?
· Can any benefits of these projects be effectively and innovatively measured?
· Can these projects and experiences be effectively and creatively documented?
· What are the moral and ethical considerations when ‘manipulating’ an audience?
· Who is the audience and is it important to define authorship?
The project is structured in the form of a practice-led research group which will bring together the commissioned artists, Elbow Room, other collaborators and the public, each of whom will investigate a strand or area of the overarching themes through their practice. We are working towards a series of events and interventions culminating in a seminar/event in Spring 2013. The event will place the outcomes of the artists’ research (possibly in the form of performance, presentations or other interventions) in dialogue with one another and with speakers from different professional fields that have a common or overlapping focus.
A series of conversations on curatorial and participatory practices with Felicity Allen, Editor of the Documents of Contemporary Art anthology: Education. Guest speakers address dynamic pressures within UK art institutions through the lens of activism, feminism and globalisation.
This session features Professor Carmen Moersch, Head of the Research Institute of Art Education at the University of the Arts, Zurich, Switzerland.
At Whitechapel gallery Annette Krauss talks about unacknowledged forms of learning in schools. Krauss is the Gallery’s Artist in Residence at St Paul’s Way Trust School, Tower Hamlets and Cumberland School, Newham.
