My artworks consist of a limited palette of colours, shades of brown and earthy tones, which express human condition and its relationship with nature. This argument is deliberately perverse and relegates everything to the dangerous edge of absurdity, because this is contrary to the real truth although it is in line with the human imagination. The colour palette, which I use is only the human interpretation of the nature, is a reflection in a distorting mirror, and is an illusion. The limited range of colour is related to our self-limitation. Man is endowed by nature with the senses that allow him to understand the surrounding reality. These senses are also the limitation because a man can’t be satisfied by perceiving reality and nature as it is. This condition causes that human want to change their environment to complement this limitation. Through this process a human tries to improve nature and don’t realise that is not possible, because nature is perfect as it is.
My artwork takes the form of drawing and painting which are rich in details and a limited range of colours. The details are contrasted by the misty space and focused only in areas that are important for human beings, which are expressions of man and his natural environment. Details like swirling, tightly braided lines which are a reflection of what is known, needed, important and familiar. Details express the need to control the world around; they mark the boundaries which are expression of the norms and standards; set the rules and order. The confines are the contrast between the known and unknown; reality and imagination, good and evil. The boundaries are like a map that specifies the order of the world, but also are the cause of conflicts. This is battles among good and evil, known and unknown.
My artwork takes the form of drawing and painting which are rich in details and a limited range of colours. The details are contrasted by the misty space and focused only in areas that are important for human beings, which are expressions of man and his natural environment. Details like swirling, tightly braided lines which are a reflection of what is known, needed, important and familiar.
I subject myself to the process of creation, which opens the door to the absorbing world of imagination. In the first stage of creating, my artwork is a chaotic storm of lines and spots. The following step of the creative process contains an alchemic fusion of two ethereal bodies; memories and emotional reaction of the world around me. This process generates for me, a safe distance between the frayed, fleeting soul of the past and the vital artery of the present which allows me to take a close look at issues of existence.
