Here I wanted to play around with the notion of how something can be displayed, using visual language and concept in order to re-visualise something, work something out. Each of these nine drawings is taken either from a documentary photograph of a film being made, or is taken from a still of the film that has been made.
The film in questions makes a visual and physical link between the alter flats, the patterns in the design, the tools that were used to manufacture the temporary pendulum that the camera was swung from (several extension leads plugged into the mains above – in the attic). The film makes the connection, through function, between the attic and the publicly accessible floor in the church.
The drawings were separated and inserted into old slide frames. This makes a further reverence to how something is recorded / documented, how it is stored and then how it is displayed.
